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With the US Army recruitment icon Uncle Sam in close proximity to a coterie of male dandies appropriated from mainstream advertising, "Who You/Yeah Baby" produces a queer subtext that is reinforced by the work's humorously propositional title. Located within an otherwise abstract canvas of stripes and patterns, the collage also offers a subtly calculated dig at the white, heteronormative masculinity typically associated with abstract formalism in the middle of the twentieth century.
—from "The Many Hats of Ralph Arnold: Art, Identity & Politics"