Sun-Raid

Work on Paper

-

DePaul Art Museum

Name/Title

Sun-Raid

Entry/Object ID

2009.158

Description

Sun Raid Raisins, skeleton figure.

Artwork Details

Medium

Color screenprint

Acquisition

Notes

Collection of the DePaul Art Museum, Art Acquisition Endowment

Made/Created

Artist

Hernandez, Ester

Date made

2008

Ethnography

Notes

North America United States

Inscription/Signature/Marks

Type

Inscription

Location

throughout recto

Transcription

text throughout print

Material/Technique

Ink

Type

Inscription

Location

recto BC

Transcription

14/15 "Sun Raid" [signature] Copyright 08

Material/Technique

graphite

Type

Inscription

Location

recto BL

Transcription

image of a crown

Material/Technique

impression in paper

Lexicon

Getty AAT

Concept

Mexican American, Hispanic American, modern North American, modern American, Americas, The

Hierarchy Name

Styles and Periods (hierarchy name)

Facet

Styles and Periods Facet

Dimensions

Dimension Description

image

Width

15 in

Length

19-3/4 in

Dimension Description

sheet

Width

22-1/8 in

Length

28-1/2 in

Exhibitions

Fires Will Burn: Politically Engaged Art from the Permanent Collection
A Matter of Conscience
LATINXAMERICAN

Interpretative Labels

Label Type

Cultural/Historical Context

Label

The daughter of Mexican and Yaqui farm workers, Ester Hernandez creates symbols of her Chicana identity while highlighting the political and social injustices inflicted on Latinx populations in the United States. In Sun Raid, Hernandez transforms a familiar raisin box to make a statement about the situation many farm workers face in the United States. The wholesome face normally found on the front of the box is changed into a skeletal farm worker wearing a huipil, a native Mexican dress. The figure also wears a security-monitoring bracelet labeled ICE (Immigrations and Customs Agents), signifying looming deportation. Hernandez writes the names of Mexican indigenous groups from the Oaxaca area because they make up a large number of farm workers in the United States. The artist's concern for farm workers can be traced back to her well-known 1982 print titled Sun Mad in which she transformed the same raisin box into a statement about the overuse of pesticides and its effect on our bodies and the environment.