Untitled

Name/Title

Untitled

Entry/Object ID

2013.74

Description

Masculine figure standing on left side with arms above his head and wide stance; female figure standing on right side in profile away from the other figure, both surrounded by brown and black rippling lines.

Artwork Details

Medium

Acrylic on Canvas

Acquisition

Notes

Collection of DePaul Art Museum, gift of the Raymond K. Yoshida Living Trust and Kohler Foundation, Inc. Ray Yoshida Estate

Made/Created

Artist

Yoshida, Ray

Date made

circa 1970

Ethnography

Notes

North America United States

Inscription/Signature/Marks

Location

V: BR

Notes

Inscription Type: "KPI 926 y 783"

Lexicon

Getty AAT

Concept

Chicago Imagist, figurative art, art genres, patterns (design elements), design elements (attributes)

Hierarchy Name

Styles and Periods (hierarchy name), Associated Concepts (hierarchy name), Design Elements (hierarchy name)

Facet

Styles and Periods Facet, Associated Concepts Facet, Physical Attributes Facet

LOC Thesaurus for Graphic Materials

Comic characters

Legacy Lexicon

Class

PAINTINGS

Dimensions

Dimension Description

overall

Width

40 in

Depth

1 in

Length

30 in

Interpretative Labels

Label Type

Cultural/Historical Context

Label

Ray Yoshida’s work is filled with repeating patterns, mysterious imagery, and comic like imagery. His collage like style and dark color palettes created the enigmatic nature of his works and captivated many, including his students some of whom formed the Chicago Imagists. As a teacher at the School of the Art Institute of Chicago, Yoshida’s comic like, patterned imagery influenced a number of his students, Jim Nutt, Roger Brown, and Christina Ramberg to name a few, who birthed a new art movement out of his mentorship. Yoshida’s work ranged from what was called “comic collage” to more figural work as portrayed in this piece. While more figural than many of his other pieces, Untitled (Two Figures) remains an enigmatic and cryptic work that could represent many things including personal turmoil, racial/societal tension, or something entirely different. The ambiguous nature of his work allows for a great deal of viewer interaction and interest. This is all aside from the aesthetic excellence of the piece and the seemingly simple but intricate composition.