Killed Youth from the portfolio Artists and Writers Protest Against the War in Vietnam

Work on Paper

-

DePaul Art Museum

Name/Title

"Killed Youth" from the portfolio Artists and Writers Protest Against the War in Vietnam

Entry/Object ID

2012.155.8

Description

Roughly sketched disembodied human face with mouth open and eyes eyes closed in R: TC; with brushy blobs and streaks of paint in B and C in red

Artwork Details

Medium

Lithograph

Acquisition

Notes

Collection of DePaul Art Museum, gift of Samuel and Blanche Koffler

Made/Created

Artist

Golub, Leon

Notes

Creation Date: Mid 20th century

Ethnography

Notes

North America United States

Inscription/Signature/Marks

Notes

Inscription Type: R: "42/100" in BL; [artist signature] in BR

Lexicon

Getty AAT

Concept

Chicago Imagist, figurative art, art genres

Hierarchy Name

Styles and Periods (hierarchy name), Associated Concepts (hierarchy name)

Facet

Styles and Periods Facet, Associated Concepts Facet

LOC Thesaurus for Graphic Materials

Political violence, Anti-war, Anti-war movements

Legacy Lexicon

Class

WORKS ON PAPER

Dimensions

Dimension Description

image

Width

21 in

Length

26 in

Exhibition

Fires Will Burn: Politically Engaged Art from the Permanent Collection

Interpretative Labels

Label Type

Cultural/Historical Context

Label

Leon Golub’s work is highly concerned with abuses of power and violence, usually sexual or political. His works depict war, protest, crime, and horror as key themes as a way for himself as an artist to confront traumatic events occurring in the late 60s and early 70s. From the Vietnam war to the Cuban revolution, Golub believed his confrontational style would better push viewers to address the heinous acts taking place in their world/society and challenge them into exploring the work further. "Killed Youth" from the portfolio Artists and Writers Protest Against the War in Vietnam is a haunting piece that perfectly captures Golub’s desire to present a raw work of dark protest art in order to hold the attention of viewers and address the bloodshed in Vietnam occurring at the time. The stark contrast between the pure white and the chaotic blood red create a horrifying image of disharmony and pain existing within this presumed young soldier. That suffering figure evokes pathos for those soldiers still fighting in the Vietnam War and equates those fighting in the conflict not as heroes, but as tortured individuals. All of this is an attempt by Golub to both force viewers to confront the suffering of those in Vietnam on a personal level and to protest the death of young soldiers and subsequently the war. This is exactly what it means for Golub to confront political issues in the manner of an artist and challenge the public.