Events Are (Semia Culture)

Work on Paper

-

DePaul Art Museum

Name/Title

Events Are (Semia Culture)

Entry/Object ID

2016.08

Description

Black background with patches of white that resemble an incomplete face

Artwork Details

Medium

silkscreen on canvas

Acquisition

Notes

Collection of DePaul Art Museum, gift of Robert and Nancy Mollers

Made/Created

Artist

Pendleton, Adam

Date made

2007

Ethnography

Notes

North America United States

Inscription/Signature/Marks

Location

top left verso

Transcription

[artist signature]

Notes

Inscription Type: black ink

Location

top left verso

Transcription

2007

Notes

Inscription Type: black ink

Lexicon

Getty AAT

Concept

African American, modern North American, modern American, Americas, The

Hierarchy Name

Styles and Periods (hierarchy name)

Facet

Styles and Periods Facet

LOC Thesaurus for Graphic Materials

Poetry, Language

Legacy Lexicon

Class

WORKS ON PAPER

Dimensions

Dimension Description

canvas

Width

16 in

Length

22 in

Exhibition

DPAM Collects: Happy Little Trees and Other Recent Acquisitions

Interpretative Labels

Label Type

Cultural/Historical Context

Label

Adam Pendleton (American, b. 1984) Events Are (Semia Culture), 2007 Silkscreen on canvas Collection of DePaul Art Museum, gift of Nancy & Robert Mollers 2016.8 Adam Pendleton is a conceptual artist and self-proclaimed “Black Dadaist.” In the early 20th century, European Dadaism was an art movement used to express artists’ rejections of war and capitalistic society. It championed pun and play over rationality. For Pendleton, “Black Dada refers to Dada in an arguably illogical way. So much of Dada was about the absurdity of life, and there’s something absurd about America today. I couldn’t help but respond as an artist—and a citizen.” Pendleton reinvents blackness in historical narratives through techniques borrowed from absurdist poetry and minimal compositions, often putting equal emphasis on text and image. Events Are (Semia Culture) is a silkscreen representation of the novel For the Love of Ray by Bonnie Bremser, which details her life as a prostitute in Mexico after the imprisonment of her husband, poet Ray Bremser. Amiri Baraka, the first writer to publish Ray Bremser’s poems, produced a work in 1964 called “Black Dada Nihilism,” which influenced Pendleton’s writing of “The Black Dada Manifesto” in 2008.