From the Series: America's Finest

Work on Paper

-

DePaul Art Museum

Name/Title

From the Series: America's Finest

Entry/Object ID

2014.207

Description

A man standing wearing boxing shorts and gloves, and Native American-style headdress, pierced with arrows in B&W

Artwork Details

Medium

Lithograph

Acquisition

Notes

Collection of DePaul Art Museum, Art Acquisition Endowment

Made/Created

Artist

Valdez, Vincent

Date made

2014

Ethnography

Notes

North America United States

Inscription/Signature/Marks

Location

BR/V graphite

Notes

Inscription Type: "[artist signature] 2014

Location

BC/V graphite

Notes

Inscription Type: "America's Finest"

Location

BL/V graphite

Notes

Inscription Type: "XI"

Location

BR

Notes

Inscription Type: bird-shaped printer's chop

Lexicon

Getty AAT

Concept

memory (psychological concept), psychological concepts, social science concepts

Hierarchy Name

Associated Concepts (hierarchy name)

Facet

Associated Concepts Facet

LOC Thesaurus for Graphic Materials

Boxers (Sports), Headdresses, Politics & religion, Chiefs, Tribal, Native peoples, Martyrs

Dimensions

Dimension Description

sheet

Width

23-3/4 in

Length

34-7/8 in

Exhibition

LATINXAMERICAN

Interpretative Labels

Label Type

Cultural/Historical Context

Label

In his series America’s Finest, Vincent Valdez depicts figures of different ethnicities as boxers, poised and ready to enter the ring. In this particular work, Valdez represents a Native American boxer clad in a traditional war bonnet, whose name “Big Chief” is emblazoned upon his silk boxing shorts. However, the arrows that pierce his skin not only harken back to the violence of European colonization during the “discovery” of America, but also evoke imagery of Saint Sebastian who, according to Christian tradition, was persecuted for his beliefs and became a celebrated martyr. Saint Sebastian is said to have been shot full of arrows, yet miraculously survived. Valdez, by combining these two histories, suggests that Native Americans are martyrs akin to Saint Sebastian — a people whose enduring cultural presence cannot be eliminated by brute force. By filtering the past through the present, Valdez shows the way in which these histories continue to structure our world.