Name/Title
Pendant in the form of a guaíza (Taíno-style face mask), on cordEntry/Object ID
2025.1.413Description
Oval plano-convex pendant carved or molded as a stylized human face, suspended from a long doubled cord. The face is rendered in low relief: a raised browband or headdress across the top worked with diagonal hatching and retaining dark green pigment in the recesses; straight incised brows; almond-shaped eyes with incised lids; a broad flat-bridged nose in high relief; and a small oval open mouth with defined lips. The cheeks and jaw are smoothly rounded. The reverse (image 2) is plain, gently convex, and unworked apart from a single suspension hole drilled through the upper edge; scattered fine pinhole voids are visible across it. Material is warm tan to ochre with darker mottling. The cord is a fine machine-twisted two-color cord, black and pale gold, doubled and knotted through the suspension hole, with a long free loop and cut ends.Item Type
PendantContext
The guaíza is a Taíno face-image form. Zemí (or cemí) refers not to an object or image but to an immaterial, spiritual and vital force pertaining to deities and ancestors, and guaízas were high-status objects: petroglyphs at Caguana, Puerto Rico depict a figure wearing a pectoral plaque or guaíza as an emblem of chiefly power. Taíno artisans worked conch shell, especially Strombus, whose hard white shell served for small objects of symbolic or magico-religious value made by the most skilled craftsmen for ceremonial use and bodily adornment — among them the small guaízas or masks that adorned caciques' belts.Collection
The Cabrera Arús family collection, Gertrudis Caraballo Gálvez collecitionMaterials
Material
CeramicMaterial Notes
Cord: synthetic filament (rayon or nylon), machine-twisted — INFERRED from the regular twist and the sheen.Relationships
Related Person or Organization
Person or Organization
Gertrudis Caraballo GálvezNotes
ownerRelated Places
Place
City
HavanaCountry
CubaRegion
Caribbean, Central AmericaNotes
purchaseResearch Notes
Notes
Sources: Metropolitan Museum of Art collection record for a Taíno guaíza; Oliver, El Caribe Precolombino (chapter on the Taíno material and spiritual universe); Revista Dominicana de Arqueología, Antropología e Historia on Taíno sculpture.Created By
María A. Cabrera ArúsCreate Date
July 30, 2026Updated By
María A. Cabrera ArúsUpdate Date
July 31, 2026