Set of Hand-Embroidered Linen Napkins/Coasters with Floral Motif

Name/Title

Set of Hand-Embroidered Linen Napkins/Coasters with Floral Motif

Entry/Object ID

2025.1.398

Description

Set of eight small square textiles of plain-weave white/cream linen (or linen-cotton), each hand-embroidered in one corner with a small stylized floral sprig and finished on all four sides with a decorative whip-stitched (overcast/twisted) edge. The embroidery and edging alternate between red and black thread across the set — individual pieces combine red and black edging, and the corner motif is worked in red on some pieces and black on others.

Textile Type

Napkin

Use

Belonged to Gertrudis Caraballo Gálvez

Context

Hand-worked domestic table/decorative linens of this kind (needlework, labores) were common household objects across many cultures, including in Cuba, where home embroidery was a widespread domestic practice. Whether this particular set was made in Cuba, imported, or acquired there cannot be determined from the object itself, as it bears no maker's mark, label, or inscription. Its place in the Cuba Material collection therefore depends on documented provenance.

Collection

Gertrudis Caraballo Gálvez collecition, The Cabrera Arús family collection

Acquisition

Accession

2025.1

Parts

Set of 8 matching squares

Materials

Material

Fabric

Material Notes

Plain-weave linen or linen-cotton ground; cotton/stranded embroidery floss (red and black). Fiber identification to be confirmed

Condition

Overall Condition

Good

Relationships

Related Person or Organization

Person or Organization

Gertrudis Caraballo Gálvez

Related Places

Place

City

Havana

Country

Cuba

Region

Caribbean, Central America

Notes

use

Research Notes

Notes

No intrinsic evidence of origin or date; provenance documentation is essential to place this within the collection scope. The red-and-black palette, the motif, and the all-hand construction are very characteristic of Central/Eastern European or Balkan folk embroidery (Hungarian, Romanian, Slovak, or similar traditions).

Notes

The handwoven-looking ground, the fully hand-stitched edges with no machine hemming, the natural yellowing and soft creasing, and the folk style itself are consistent with a piece made in the first half-to-middle of the 20th century.

Created By

María A. Cabrera Arús

Create Date

July 1, 2026

Updated By

María A. Cabrera Arús

Update Date

July 1, 2026