
In Houses of Brenen, J. André Smith turns his attention to the old domestic architecture of provincial France. At the center of the composition stands a tall half-timbered house, its exposed wooden framework set into pale plaster walls beneath a steep, sagging tiled roof and a single brick chimney. Neighboring houses crowd in on either side, with jutting dormers, shuttered windows and roofs set at irregular angles. Signs of everyday work fill the scene: ladders lean against the walls, a coil of rope hangs beside the doorway, and a barrel stands at right. Small groups of figures, including women in long dresses and a child, pause and talk in the uneven street, while others with a cart appear in the shadows at left. Smith renders the timbers, tiles and paving with careful, detailed line work, creating a warm and closely observed portrait of a French town and the people who lived in it. Like his Venetian views, the print reflects the traditional architectural etching of his early career.