Flush with new ideas and the basic computers and peripherals, and Ellie Matthews and Karl Youngmann's gift of the IBIS System, I conceived of a museum to show the art, design, and mixed projects that had come from our early work with computers and generative art forms. Not trusting the traditional museum as a mere showcase of the past, I wanted to include a school within the museum - a museum school - because technology was not going to be siloed into a box. This archive is a box, obviously, but my LMOSCACAD was not to be. Howevever, a computer museum would be made on Seattle's SODO district, but without the art and school element. It should be mentioned that a computer recycling company a few blocks from there called R/PC had a room with old computers on display - their own museum. When the IBIS project seemed to be fading and our money and space would no longer allow storing it, I took it to this museum. However, without the documentation and promotion, it is not included in either place. Even though I produced newsletters and a brochure, LMOSCACAD never was.