A Camping Party in Yosemite

Photograph

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anonymous...

Name/Title

A Camping Party in Yosemite

Entry/Object ID

1980.25

Photograph Details

Type of Photograph

Albumen Print

Category

American Art, 1800 to 1945

Acquisition

Accession

1980.25

Source or Donor

Barbara Morgans Powers

Acquisition Method

Gift

Credit Line

Crocker Art Museum, gift of Barbara Morgans Powers

Made/Created

Artist

Carleton Watkins

Date made

circa 1865 - 1866

Time Period

19th Century

Place

State/Province

California

Country

United States

Continent

North America

Lexicon

Legacy Lexicon

Object Name

Web-Tag-California Artists, Web-Tag-Landscapes

Dimensions

Height

16 in

Width

21 in

Location

Category

Permanent

Interpretative Labels

Label Type

Website Medium

Label

Albumen print

General Notes

Note

User Text: The American West’s premier 19th-century photographer, Carleton E. Watkins was born in Oneonta in upstate New York. He came to California in 1851 with the Gold Rush and moved to Sacramento to work for his fellow Oneontan, Collis Huntington, who would later become one of the financiers known as the railroad’s Big Four. Huntington’s store was destroyed by fire in 1852, and the suddenly unemployed Watkins moved to San Francisco. In 1854, he was hired by photographer Robert H. Vance to operate one of his galleries and assist in making daguerreotypes. Watkins went on to work as a portrait photographer and make documentary photographs on commission. In 1861, he visited the Yosemite Valley for the first time. Frustrated over the limitations of photographic technology, he developed a mammoth-plate process that could more adequately capture the area’s magnificence and grandeur. His photographs helped make the valley famous and influenced the United States Congress to pass legislation preserving the area as a wilderness in 1864. He eventually made seven photographic trips to Yosemite over a twenty-year period, producing more than 1,000 images. When he was not on photographic expeditions, Watkins maintained a San Francisco studio. Using his mammoth-plate process, he recorded the city, its surrounding areas, and many other parts of California. He also pursued work in smaller formats, producing stereocards and portraits, and documentary images on commission. He exhibited his photography at local venues that had been formerly restricted to painting and sculpture, and he became a charter member of the San Francisco Art Association in 1871, firmly declaring his photography as art. Info Page Comments: Photograph