Frida's Dresser, My Face Reflected

Photograph

-

anonymous...

Name/Title

Frida's Dresser, My Face Reflected

Entry/Object ID

2001.80.12

Photograph Details

Type of Photograph

Platinum print

Category

American Art, 1800 to 1945

Acquisition

Accession

2001.80

Source or Donor

James Kidd

Acquisition Method

Gift

Credit Line

Crocker Art Museum, gift of James Kidd

Made/Created

Artist

Emmy Lou Packard

Date made

1941

Time Period

20th Century

Place

Location

America, North America

Lexicon

Legacy Lexicon

Object Name

Web-Tag-California Artists, Web-Tag-Flowers and Plants, Web-Tag-People

Dimensions

Height

11 in

Width

14 in

Location

Category

Storage

Interpretative Labels

Label Type

Website Medium

Label

Platinum print

General Notes

Note

User Text: Emmy Lou Packard was a printmaker, illustrator, muralist, and painter who enjoyed an extraordinary friendship with celebrated artists Diego Rivera and Frida Kahlo. She first made their acquaintance at age thirteen while she and her family were living temporarily in Mexico City. Packard’s mother arranged the introduction to encourage her daughter’s own artistic efforts. The famous couple befriended the teen, and Rivera generously offered Packard encouragement and helpful insights into art throughout her stay in Mexico, which ended later that year, in 1928. Back in California, Packard pursued her formal studies as an undergraduate at the University of California, Berkeley, and also at the California School of Fine Arts, all the while maintaining a close correspondence with Rivera and Kahlo. In 1939, after her husband, architect Burton Cairns, died in a car accident, Packard spent time in Mexico with Rivera and Kahlo as a guest in their home. During this period, Packard took many snapshots of the couple and of the things she most closely associated with them, such as this dresser mirror in which Packard’s visage is reflected. Packard’s romantic compositions captured not only scenes of daily life, but also moments of relaxed intimacy. Inspired by Rivera’s and Kahlo’s friendship and their beliefs in art and social activism, Packard went on to create a body of prints and paintings around themes such as the migrant worker.