The Harvest Festival before an Approaching Storm

Painting

-

anonymous...

Name/Title

The Harvest Festival before an Approaching Storm

Entry/Object ID

2005.42

Type of Painting

Easel

Artwork Details

Medium

Oil on canvas, Oil, Canvas

Category

European Art

Acquisition

Accession

2005.42

Source or Donor

Crocker Art Museum Purchase

Acquisition Method

Purchase

Credit Line

Crocker Art Museum Purchase with contributions from Anne and Malcolm McHenry and the State of California

Notes

Crocker Art Museum Purchase with contributions from Anne and Malcolm McHenry and the State of California

Made/Created

Artist

William Hahn

Date made

1868

Time Period

19th Century

Place

Country

Germany

Continent

Europe

Lexicon

Legacy Lexicon

Object Name

Web-Tag-California Artists, Web-Tag-Animals

Dimensions

Height

44 in

Width

70 in

Height

60 in

Width

86 in

Location

Category

Display

Category

Display

Interpretative Labels

Label Type

Website Medium

Label

Oil on canvas

General Notes

Note

User Text: Karl Wilhelm (William) Hahn painted scenes of 19th century daily life, first in his native Germany and then in California. Born in Ebersbach, he studied at the Royal Academy of Art in Dresden and at the Düsseldorf Academy. His association with painters Julius Hübner and Emanuel Leutze in Dresden helped hone his talent for capturing human interaction. The Harvest Festival epitomizes Hahn’s German period. Exhibited in Dresden and Vienna before Hahn brought it to the United States, it depicts an autumn celebration near Düsseldorf. Such village festivals and native costumes, once discarded as relics of an unfashionable past, were revived in the mid-19th century to celebrate German traditions as the country moved towards unity. Hahn met and befriended Californian artist William Keith and his wife during their 1869–70 sojourn in Germany. On the eve of the Franco-Prussian War, they left Europe together, traveling to Maine and then Boston, where Keith and Hahn shared a studio. They came to California in the spring of 1872. Shortly after arriving in San Francisco, Hahn began work on Market Scene, Sansome Street, San Francisco, his first major painting to depict contemporary life in California. For six months, he made careful studies of people, agricultural products, mules, and the approaching horse-drawn trolley. He also carefully referenced the kinds of businesses that lined the street, including the gigantic pitchers that served to advertise a ceramic manufacturing company. His attention to detail paid off, and he sold the painting to Judge E. B. Crocker for $2,500. Hahn continued to paint genre subjects in the San Francisco Bay Area, Sierra, and Monterey Peninsula for the next several years. In 1873, he completed another San Francisco scene, The Convalescent. The subject and her guest are shown in a warm Victorian interior with San Francisco’s Temple Emanu-El and the First Congregational Church clearly visible through the parlor window. Hahn spent 1878 in New York and exhibited at the National Academy of Design. In 1882, he returned to Europe on his honeymoon, settled in London, and died unexpectedly in Dresden in 1887.