George W. Hoag’s Record Wheat Harvest

Painting

-

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Name/Title

George W. Hoag’s Record Wheat Harvest

Entry/Object ID

2011.1

Type of Painting

Easel

Artwork Details

Medium

Oil on canvas, Oil, Canvas

Category

Theme: Animals in Art, American Art, 1800 to 1945

Acquisition

Accession

2011.1

Source or Donor

Donald Houghton

Acquisition Method

Gift

Credit Line

Crocker Art Museum, gift of Donald F. Houghton

Notes

Acquisition Notes: Formerly PROM.2025.Houghton.1

Made/Created

Artist

Andrew Putnam Hill

Date made

1876

Time Period

19th Century

Place

Location

America, North America

Lexicon

Legacy Lexicon

Object Name

Web-Tag-California Artists, Web-Tag-Landscapes, Web-Tag-Animals

Dimensions

Height

34 in

Width

48 in

Height

49 in

Width

63 in

Location

Category

Storage

Category

Display

Category

Storage

Category

Temporary

Category

Temporary

Category

Display

Interpretative Labels

Label Type

Website Medium

Label

Oil on canvas

General Notes

Note

User Text: Born in Porter County, Indiana, Andrew Putnam Hill came to California with his family in 1867 and settled in San Jose. He studied at Santa Clara College before moving to San Francisco to study art at the California School of Design. He also took private lessons from Virgilio Tojetti and Louis Lussier. Hill and Lussier became partners in 1876, opening a portrait-painting studio in Oakland and then San Jose. In 1882, Hill partnered with watercolorist Sydney Yard in a photography business. Today he is best remembered as a conservationist who helped make Big Basin Redwoods State Park, northwest of Santa Cruz, the first redwood state park. Hill produced this painting at age 23 as a commission for George W. Hoag, who hired him to depict his record wheat harvest. Working on 10,000 acres of land that he leased from Dr. Hugh Glenn, the major landholder of Colusa County (northwest of Sacramento), Hoag employed a large staff of machinists and blacksmiths to manufacture equipment that could plant and harvest at top speeds. He was especially proud of his immense wheat separator, the Monitor, which on August 8, 1874, threshed 3,504 sacks of wheat (approximately 5,800 bushels) in a contest with the Baylis family, whose team threshed only 2,440 sacks. To keep up with the Monitor, Hoag needed seventy men, seven headers, and twenty-four header wagons, which Hill painted in careful detail from sketches and photographs. The bright red Monitor and steam engine are ringed by laborers, many of them Chinese. Hoag is shown in the central foreground in a black buggy pulled by a handsome team of horses. The Pacific Rural Press described the painting as “a stirring scene,” of the “magnificent in our agriculture.”1 1 “California Harvest Scene—Dr. Glenn’s Farm in Colusa County,” San Francisco Pacific Rural Press, 6 May 1876.