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Like Thomas Moran, William Trost Richards found many of his landscape subjects less than five miles
north of center city Philadelphia, along the scenic Wissahickon, a popular picnicking site since the 18th
century. Paintings such as this pastoral view, which Richards had been making variations on since the
1850s, likely persuaded Philadelphia’s civic leaders to preserve and protect the creek landscape by
incorporating it into the city’s new Fairmount Park system.