Whitework Needlelace Sampler, c1740
Name/Title
Whitework Needlelace Sampler, c1740Entry/Object ID
2017.1.1Tags
Whitework, Needle lace, SamplerDescription
A sampler showcasing 99 stitched rectangles, arranged in a grid, each rectangle demarcated wtih green embroidery, mounted on a salmon-colored fabric.Use
The Bavarian National Museum in Munich, which collects and exhibits two millennia of European art and culture, has within its renowned collections three examples that are strikingly similar to this one. Published in Stickmustertucher, Katalogue des Bayerischen Nationalmuseums, the museum’s 1980 publication of their sampler collection, by Nina Gockerell, as figures 39, 40 and 41, these indicate a genre of needlework, or needlelace, as is stated in the captions, that was made in Bavaria in the late 18th century. In particular, figure 40 in the museum’s collection is almost identical to this example. Another very similar example of whitework, in the collection of Museum of Fine Arts Boston and dated 1762, is published on pages 56 and 57 in Samplers from A to Z by Pamela A. Parmal (MFA Publications, 2000). Like those in the Bavarian National Museum and our example, techniques include cutwork and pulled work accomplished in white, with a color used for the grid.Context
Handwritten information on the original salmon-colored backing paper adds context and helps to identify the maker or, certainly, the owner. It was lightly stitched to its original paper, which was painted a fine salmon color. A delicate inscription on the back of the paper reads, “Gehorig Carolina Bittlmair Advocatens Wittwe in Kempten,” which, working with early scripted styles, translates to, “Belonging to Carolina Bittlmair, widow of the lawyer, in Kempten.” Carolina and a sister or sister-in-law, Walburga Bittlmair, are reported in a death notice in an 1840 Bavarian newspaper as having resided in Dillingen and Monheim, other towns in Bavaria.Collection
ERS Sampler CollectionCategory
Whitework