Still Life of Dead Game and the Implements of the Chase

Description

Oil painting on canvas; Hunting still life showing dead game including: a hare, pheasant, hunting horn, partridge and flowers against an urn in a classical park setting, columned porches and marble statues visible in the background, urn in foreground has bas relief carving of classical figures, purple satin hunting horn strap trimmed with gold braid is shown laying across the foreground with an ornate golden buckle and clasp, large red tassels are shown hanging off the connectors of the hunting horn. Unidentified weapon on the left side. Artist's name and signature are incorporated into on the lower right edge of the stone step and are painted to appear as if they are chiseled into the stonework. Period carved gilt frame, continuous leaf and floral design.

Collection

Filoli (Bourn) Original Objects, Filoli (Roth) Family Objects

Made/Created

Artist Information

Artist

Jan Weenix

Role

Painter

Date made

1703

Place

Country

Germany

Continent

Europe

Dimensions

Dimension Description

Canvas

Height

46 in

Width

38 in

Dimension Description

Frame

Height

58 in

Width

48 in

Depth

3-1/2 in

Provenance

Provenance Detail

Bourn & Roth Eras, Gift of Lurline Matson Roth

Interpretative Labels

Label

Still life paintings depicting hunting scenes were popular among the aristocratic class in the late 17th to early 18th centuries as they showcased wealth and abundance. This painting, purchased by the Bourn family and hung in their Dining Room, is thought to be one of twelve paintings commissioned by a German nobleman. The Bourns may have purchased this piece as they wanted Filoli to be reminiscent of the grand country estates of Europe.

Label

Paintings depicting hunting were popular among aristocrats, as they advertised their wealth, the abundance of flora and fauna on their property, and the exclusivity of hunting, an activity restricted to the nobility. This still life is by Dutch painter Jan Weenix, best known for his paintings depicting “Dead Game and the Implements of the Chase”. In 1702, Weenix was hired as a court painter by the Elector Palatine Johann Wilhelm of Düsseldorf, where he produced a series of twelve hunting paintings for the Elector’s hunting lodge, Schloss Bensberg. This piece is thought to be one of those twelve. The Bourns purchased this piece for their Dining Room (see photo), and it remained there after Filoli was purchased by the Roth Family. The Bourns may have purchased it wanting to emulate the grand country estates of Europe. Today, it still hangs in the Dining Room above the fireplace.

Name/Title

Still Life of Dead Game and the Implements of the Chase