Note Type
Antony Hayton, Exhibit DirectorNote
Harold Newton (1934-1994)
Stormy Inlet
Oil on Masonite circa mid-1980s
Image size 18" X 24"
Harold Newton was a quick learner with a photographic memory. He took the advice of A. E. Backus, to paint landscapes rather than religious themes. Newton studied Backus' art and style and began creating "Backus-like" landscapes. However, Backus had a backlog of customers, primarily upper-class white clients, who paid well for his paintings. Newton realized that, as a Black man, there was no backlog of clients waiting for his work, nor could he command the high prices Backus could. Galleries were not accepting submissions from Black artists, so he had to find alternative ways to succeed. He decided to paint faster than Backus, allowing him to sell at lower prices, and he hit the road to sell art directly to customers. Once people saw the quality of his paintings at reasonable prices, they were eager to buy, even from a Black artist. This approach pioneered the sales methodology of the Highwaymen: creating beautiful, affordable art and selling it door-to-door and business-to-business. Paving the road of success for the Highwaymen.
Harold Newton was a master at painting Florida's ever-changing and sometimes violent weather. This stormy, moody, and windy scene exemplifies his ability to capture movement and emotion. Newton's artwork aimed to evoke a sensual response from the viewer. His skill in representing Florida's natural beauty and constant changes in light, skies, wind, and waves became his signature style. He had an extraordinary connection with the environment. He possessed the artistic talent to replicate—if not enhance—it and to create stunning art pieces quickly and seemingly effortlessly. His work established a visceral connection with his audience, demonstrating his mastery of his craft and understanding of what would resonate with his clientele. Other artists admired his talents, and he played a significant role in elevating the quality of art produced by his peers.