Sharad Purinima Picchavi or Autumn Full Moon Celebration

Sharad Purinima Picchavi or Autumn Full Moon Celebration

Sharad Purinima Picchavi or Autumn Full Moon Celebration

Name/Title

Sharad Purinima Picchavi or Autumn Full Moon Celebration

Entry/Object ID

2018.1.37

Description

19th/20th c. Indian painting depicting the Hindu festival of Sharad Purnima

Artwork Details

Medium

Mineral pigments with animal-skin glue binder on primed cotton

Made/Created

Time Period

19th Century, 20th Century

Dimensions

Dimension Description

Painting

Height

82 in

Width

83 in

Interpretative Labels

Label

The Hindi word picchavi means “behind,” and connotes the original function of this painting, a hanging placed behind the main sculptural form of worship in a Pushti Marg (devotion to the Hindu deity Krishna) shrine. Depicted as a blue, festooned figure, Shrinathji (a form of Krishna) is being fȇted during an autumnal full moon celebration known as Sharad Purnima. Saturated colors and bold shapes lead the eye through registers of devotional engagement with musicians playing instruments, devotees dancing, a priest carrying incense, and women making abundant offerings. At the lower central area of the painting is an adorned sculptural portrait of Vallabha (1479-1531), the Indian ascetic who founded the Pushti Marg tradition. Dense with information and decorative flourishes, this painting once served as an integral part of the haptic experience and religious scene it portrays. La palabra hindi picchavi significa “detrás” y hace referencia a la función original de esta pieza: estar colgada justo detrás de la escultura de adoración principal en un templo Pushti Marg (templo dedicado a la deidad hindú Krishna). La figura azul de Shrinathji (una variante de Krishna), es agasajada durante la celebración de la luna llena de otoño, también conocida como Sharad Purnima. La intensidad de los colores y las formas atrevidas nos invitan a observar la devoción de los músicos al tocar sus instrumentos; de los fieles que danzan; del sacerdote que lleva el incienso; y de las mujeres que portan sus múltiples ofrendas. En la parte inferior central de la pieza se observa una escultura ricamente representada de Vallabha (1479-1531), asceta indio fundador de la tradición Pushti Marg. La pieza – ricamente decorada y repleta de información – fue una vez parte integral de la experiencia háptica y de la escena religiosa que representa.

Label Type

Credit Line

Label

Text by Melissa Kerin, trans. Sagrario A. Rosario