The Memories of Mama Wrapped Up In My Roots Before Mummification

Name/Title

The Memories of Mama Wrapped Up In My Roots Before Mummification

Entry/Object ID

2023.2.3

Description

In this untitled painting, Holley depicts a face set in profile, painted in reds, oranges, yellows, browns, and black on a blue background. This unique face is divided into different sectors by dotted, dashed, implied, and solid lines. Each of these areas are blocked in with a single color or filled with additional patterning. Situated on the right side of the composition, the open-mouthed figure appears ready to speak. Above the figure’s head is a red circle, from which paint has dripped down onto the figure’s face. To the left of the figure is a green abstract shape on a white/beige background. Divine intervention is Holley’s greatest source of inspiration for his art. His strong faith is evident in his use of symbolism, which grants his art a distinctly spiritual quality.

Artwork Details

Medium

paint on wood

Acquisition

Accession

2023.2

Source or Donor

Lou and Calynne Hill

Acquisition Method

Gift

Made/Created

Artist Information

Artist

Holley, Lonnie

Role

Artist

Date made

n.d.

Dimensions

Height

48 in

Width

48 in

Interpretative Labels

Label

Born in Birmingham, Alabama, Lonnie Holley (b.1950) began making art in 1979 after a house fire tragically killed two of his nieces. He has since devoted his life to the practice of improvisational creativity. His art and music – born out of struggle, hardship, furious curiosity, and biological necessity – has manifested itself in drawing, painting, sculpture, photography, performance, and sound. In addition, Holley believes that divine intervention inspires his work, thus, a deep faith underlies many of his creative products. He is best known for his assemblages and immersive environments made of found materials. Initially, Holley constructed his sculptures primarily out of industrial-grade sandstone, earning him the nickname “The Sand Man.” Later, he expanded his materials to include discarded wire, scrap metal, and wood. By the mid-1980s, Holley branched into painting influenced by West African, Egyptian, and Pre-Columbian era artwork.

Created By

ashley.williams@gadsdenarts.org

Create Date

March 21, 2024