Shoolbred Plantation on Kiawah

Shoolbred Plantation on Kiawah: Origsize: 14 x 12; Origformat: digital; Resolution: 200
Shoolbred Plantation on Kiawah

Origsize: 14 x 12; Origformat: digital; Resolution: 200

Name/Title

Shoolbred Plantation on Kiawah

Entry/Object ID

73.2.4

Description

Shoolbred Plantation on Kiawah Island July 20, 1870 Watercolor on paper

Artwork Details

Medium

Watercolor

Collection

Historic Charleston Foundation Collection

Acquisition

Accession

73.2.

Source or Donor

Drayton, Charles

Acquisition Method

Gift

Credit Line

Gift of Mr. Charles H. Drayton

Made/Created

Date made

1870 - 1870

Lexicon

Nomenclature 4.0

Nomenclature Primary Object Term

Painting

Nomenclature Class

Art

Nomenclature Category

Category 08: Communication Objects

LOC Thesaurus for Graphic Materials

Plantations

Search Terms

Art, South Carolina, Kiawah Island (S.C.)

Other Name

Watercolor

Dimensions

Height

8 in

Width

12-1/4 in

Dimension Notes

Frame: 10.25" x 14.5"

Location

Location

Building

NR STORAGE

Moved By

Red

Date

June 3, 1998

Notes

Until: 07/06/2004

Location

Building

NR 303, Cabinet 3

Category

Permanent

Location

Building

NRH 303; Chest; Drawer 4

Category

Permanent

Location

Room

303

Building

Nathaniel Russell House

Category

Permanent

Location

Building

NR 303, Art Storage upper "A"

Category

Permanent

Condition

Overall Condition

Good

Overall Condition

Good

Notes

Support: The support had surface dirt. The paper had oxidized, brittle, and verly discolored from aging. The paper was dark brown and quite brittle. THere was a 2" crack in from the right edge and the bottom edge was folded and dogearred. The other edges had tiny losses. There was a small hole, lower left corner. Medium: The medium had a peculiar look, partly because the paper had turned dark under it and partly because it seemed to have suffered some light fading. Afreas which should be green looked white ( unless this is a picture of a rare snow event in South Carolina), and other green areas looked bluish. Frame: The frame was sound.

Overall Condition

Fair

Notes

SUPPORT: The suppoprt has surface dirt. THe paper is oxidized, brittle, and very discolored from aging. The paper is dark brown and quite brittle. There is a 2" crack in from the right edge and bottom edge is folded under and dogearred. THe other edges have tiny losses. There is a small hole, lower left corner. MEDIUM: The medium has a peculiar look, partly because the paper has turned under it and partly because it seems to have suffered some light fading. Areas which should be green look white ( unless this is a picture of a rare snow event in South Carolina), and other green areas look bluish. FRAME: THe frame is sound.

Overall Condition

Fair

Notes

Paper is badly yellowed and brittle; tears and small areas of loss

Conservation

Treatment

Conservator

Susan A.Nash

Notes

Scope of work: TREATMENT: Cleaning/ Washing/ Buffering The surfaces were drycleaned with spong eraser. The paper was floate-washed, then submerged when the medium seemed stable, in alkaline. water. An enormous amount of discoloration was removed. It was aqueously buffered with a solution of diluted saturated calcium hydroxide water. Upon drying, calcium carbonate is formed in the paper fibers to buffer against future acid formation. THis increased the life of the paper. Cosmetic/ Repairs/ Backing: The support was humidified and flattened. Tears were repaired with Japanese paper and cooked wheat starch adhesive. Losses were inserted with pieces of the margin that had come loose. The edges were trimmed cleanly. The paper was given two reinforcing backings of Japanese paper/ starch paste, and stretch- dried to flatten it. The losses were inpainted using watercolors. Final Presentation: The paper was archivally hinged suing Japanese paper/starch paste onto buffered ragboard and reframed with spacers toned with watercolors in a sealed package consisting of the glass, matted picture, and 5 mil Mylar D on the back, taped wound the edges with 3M 810 tape. The old backing materials were placed on the back of the frame behing the picture and covered with mylar for protection. Cost: 675 Expected completion date: 2004-09-13

Treatment

Conservator

Susan Nash

Notes

Scope of work: CLEANING/WASHING/BUFFERING: The surfaces should be drycleaned with sponge eraser. The paper will be floate-washed, then washed on the air suction table with alkaline tap water to remove acids and stains. This will insure that the sensitive media are not disturbed. It will be aqueously buffered with a solution of diluted saturated calcium hydroxide water. Upon drying, calcium carbonate is formed in the paper fibers to buffer against future acid formation. This increases the life of the paper. COSMETIC/REPAIRS/BACKING: The support will be humidified and flattened. Tears will be repaired with Japanese paper and cooked wheat starch adhesive. Losses will be inserted with Japanese paper or a suitable Western paper. The paper will be given a reinforcing backing of Japanese paper/starch paste, and stretch-dried to flatten it if the paper is found to be very thin and fragile. Stains will be blended using chalk or pastel penci on the surface. The losses will be inpainted using watercolors. FINAL PRESENTATION: The paper will be archivally hinged using Japanese paper/starch paste onto buffered ragboard and reframed with spacers in a sealed package consisting of the glass, matted picture, and 5 mil Mylar D on the back, taped around the edges with 3M 810 tape. Cost: 675 Expected completion date: 2004-12-16

Treatment

Conservator

Marion Hunter

Notes

Scope of work: needs different non-acidic backing testing of paper brief washing to address acidity of the paper lining with Japanese paper to make it "a piece of paper again" backing with 4 - ply ragboard to mimick backing board Cost: 1500

Treatment

Conservator

JK

Exhibition

16

Outgoing Loans

Loan Out

13

General Notes

Note

Notes: [photo] __[slide] __[transparency]y __[other] Status: OK Location Details1: 1

Created By

admin@catalogit.app

Create Date

June 3, 1998

Updated By

sferguson@historiccharleston.org

Update Date

April 5, 2023