Hersilia

Hersilia

Name/Title

Hersilia

Entry/Object ID

2004.006.001

Description

Colored print in Neoclassical style of Sabine women pleading with the Roman Soldiers.

Artwork Details

Medium

Paper, Watercolor

Subject

The Battle of Romans and Sabines

Collection

Historic Charleston Foundation Collection

Acquisition

Accession

2004.006.

Source or Donor

Farrow, Emily

Acquisition Method

Gift

Made/Created

Artist

Singleton, Henry, 1766-1839

Date made

circa 1802

Place

Location

London, England

Inscription/Signature/Marks

Transcription

Lower left, H. Singleton, pinx. Center, HERSILIA/ London, Published March 25, 1802, by James Daniell & Co. 430 Strand/The Battle of the Romans & Sabines Lower right, H. Gillbank Sclp.

Location

Verso

Transcription

VonSanten, 279 King Street, Charleston SC

Lexicon

Nomenclature 4.0

Nomenclature Tertiary Object Term

Engraving

Nomenclature Secondary Object Term

Print, Intaglio

Nomenclature Primary Object Term

Print

Nomenclature Sub-Class

Graphic Documents

Nomenclature Class

Documentary Objects

Nomenclature Category

Category 08: Communication Objects

Dimensions

Height

28-1/8 in

Depth

2 in

Length

36-1/8 in

Dimension Notes

Molding: 2" H x 2" D Canvas: 25" H x 33" W

Location

Location

Room

201

Building

Nathaniel Russell House

Category

Permanent

Date

February 7, 2023

Location

Building

Conservation

Moved By

Jill Beute Koverman

Date

September 16, 2005

Location

Room

201

Building

Nathaniel Russell House

Category

Permanent

Moved By

Jill Beute Koverman

Date

September 15, 2005

Location

Room

303

Building

Nathaniel Russell House

Moved By

Jill Beute Koverman

Date

August 20, 2002

Notes

Until: 11/20/2004

Location

Room

303

Building

Nathaniel Russell House

Moved By

Jill Beute Koverman

Date

August 20, 2002

Notes

Until: 11/20/2004

Condition

Notes

In original gilt and gesso frame Old repairs at lower left corner, small holes along flag and Hersilia's blue drape. Water damage, tears, creases, staining from old wood backing. Sent to Sue Nash

Overall Condition

Excellent

Notes

Support: The support had a lot of surface dirt. The paper was oxidized, brittle and discolored from aging and more discolored where the wooden backing pieces gapped. There were different patches on the verso, a piece of stationery, blue paper, paper strips around the edges, etc., and these had protected part of the paper against oxidation. COnsequently, the brown stainign had defined edges rather than being a uniform all over toning. There were water stains from the left edge over and up from the bottom. THe patches were reparing a very large complex tear which had damaged the major figure in the left portion of the picture. Another loss in the center loft bottom foreground had been filled and overpainted. The glue used to repair the print had darkened and stained the paper. Insects had grazed across the verso and eaten some holes through at the right of center. Medium: The watercolor had been damaged by exposure to light; the sky is quite faded. THe definition of some flesh tones was obscured by color fading and paper discoloring and the central figures looked washed out. THe colors were slightly sensitive in water, especially the red-orange. Frame; The wooden frame members have shrunk and looseded, the gesso is chipped and gilt is dirty.

Overall Condition

Fair

Notes

Support: The support has a lot of surface dirt. The paper is oxidized, brittle, and discolored from aging and more discolored where the wooden backing pieces gapped. There are different patches on the verso, a piece of stationery, blue paper, paper strips around the edges, ect. and these have protected the paper against oxidation. the glue used to repair the print has darkened and stained the paper. Insects have grazed across the verso and eaten some holes through right of center. There are water stains from the left edge over and up from the bottom. The patches are repairing several very large tears, one in the center left bottom edge has large losses and the glue is very black. Medium: THe watercolor has been damaged by exposure to light. The definition of some flesh tones is obscured by color fading and paper discoloring and the central figures look washed out. The colors are slightly sensitive in water, especially the red-orange. Frame: THe wooden frame members have shrunk and loosened, the gesso is chipped and gilt is dirty.

Conservation

Treatment

Conservator

Sue Nash

Notes

Scope of work: TREATMENT: Cleaning/Washing/Buffering: The surfaces were drycleaned with sponge erasers. The paper was washed in alkaline tap water to remove acids and stains. This loosened the paper patches on the verso which could then be removed. It also removed some of the brownish discoloration of the glue and oxidation. The paper was aqueously buffered with a solotion of diluted saturated calcium hydroxide water. Upon drying, calcium carbonate is formed in the paper fibers to buffer against future acid formation. This increases the life of the paper. Stains in the sky and on the verso were bleached under fluorescent lights using 3% hydrogen peroxide in a tap water bath for 24 hours on the front and about 30 hours on the back. Cosmetic/Repairs/Backing: Tears were repaired with Japanese paper and cooked wheat starch adhesive. Losses were inserted with toned rag paper. The paper was given a reinforcing backing of Japanese paper/starch paste, and stretch-dried to flatten it. The losses were inpainted using Windsor & Newton watercolors and the remaining stains in the sky were toned down using Rembrant pastels. Final Presentation: The paper was archivally hinged using Japanese paper/starch paste onto buffered rag matboard with bevelved spacers around the edges and reframed in a sealed package consisting of the glass, matted picture, and 4 mil Mylar D on the back, taped around the edges with 3M 810 tape. The spacers were toned with pastels. Photographs Before during and after treatment digital pictures were taken. Expected completion date: 2006-01-05

Treatment

Conservator

Susan A.Nash

Notes

Scope of work: Proposed Treatment Cleaning/Washing/Buffering: The surfaces will be drycleaned with sponge erasers. The colors will be fxed with Acroloid B-72 in toluene as needed. The paper will be washed in alkaline tap water to remove acids and stains. This will loosen the paper patches on the verso and remove wome of the brownish discoloration of the glue. The paper will be aqueously buffered with a solution of diluted saturated calcium hydroxide water. Upon drying, calcium carbonate is formed in the paper fibers to buffer against future acid formation. The increases the life of the paper. Stains in the sky and on the verso will be bleached under flourescent lights using 3% hydrogen peroxide in a tap water bath. The paper is them rebuffered. Cosmetic/Repairs/Backing: Tears will be repaired with Japanese paper and cooked wheat starch adhesive. Losses will be inserted with Japanese paper or a suitable Western paper. The paper will be given a reinforcing backing of Japanee paper/starch paste, and stretchin-dried to flatten it if the paper is found to be very thin and fragile. The losses will be inpainted using watercolors. Final presentation: The paper will be archivally hinged using Japanese paper/starch paste into a mat of buffered ragboard and reframed in a sealed package consisting of the glass, matted picture, and 5 mil Mylar D on the back, taped around the edges with 3M 810 tape. Photographs: Before and after treatment digital pictures will be taken. Cost: 1200

Relationships

Related Entries

Notes

2004.006.002

Provenance

Notes

Collected By: Mrs. Washington Roeblin Originally belonged to Mrs. Washington Roebling, who lived at 64 South Battery, then belonged to Mr. Ashby Farrow and his wife, Emily (Ravenal Farrow) and given to Foudation by Emily.

Outgoing Loans

Loan Out

17

Created By

admin@catalogit.app

Create Date

November 24, 2005

Updated By

sferguson@historiccharleston.org

Update Date

April 26, 2023