Allegory of Poetry

Name/Title

Allegory of Poetry

Entry/Object ID

VC.58.29 a-b

Description

a. Painting: Figures in Italianate landscape; poet reclining on the ground, looks up from writing, as man in a red suit who stands over his shoulder points to stone memorial of Milton; vignette of Milton, wearing a laurel crown, appears on the monument below another wreath in relief; man and woman come through half-ruined archway in the center reading paper; young girl with the, glances at man in lower right; landscape filled with wild trees, imaginary Classical and/or Baroque ruins, and one tall domestic Italian building; the colors are hidden by the all-over brown cast of varnish; only the red stands out with any clarity; title at bottom of print reads: "Printed for John Bowles and Son. POETRY at the Black Horse in Cornhill." Monument is labeled "Milton". No signature of engraver. b. Frame: Black molding and an inner "sanded-spandrel" gilded and carved edge. Minor dents and worm holes filled with black paint; lower left-hand corner rather badly chipped.

Artwork Details

Medium

Ink, varnish, glass, Oil Paint, Ink, Varnish, Glass, Oil Paint

Subject Person or Organization

John Milton

Collection

Van Cortlandt Manor Object Collection

Made/Created

Artist Information

Artist

Richard Houston

Attribution

Engraver

Artist

Unknown

Attribution

Artist

Manufacturer

John Bowles & Son

Date made

circa 1750

Inscription/Signature/Marks

Type

Inscription

Transcription

See description

Other Names and Numbers

Other Numbers

VC.58.29 A & B
VC.58.29 A-B
VC.58.29a-b

Dimensions

Dimension Description

Frame

Height

14-3/4 in

Width

18-3/4 in

Dimension Notes

Display Dimensions: 14 3/4 x 18 3/4 in. (37.5 x 47.6 cm)

Dimension Description

Glzd. area

Height

10 in

Width

14 in

Dimension Notes

Display Dimensions: 10 x 14 in. (25.4 x 35.6 cm)

Condition

Notes

Remarks: Frame: not square; glass not set in frame.

Notes

Remarks: Details of condition: There is the all-over brownish cast of the varnish and a few areas where the hardened paint and varnish has pulled away from the glass.

Relationships

Related Person or Organization

Person or Organization

John Milton

Notes

Subject

Person or Organization

Van Cortlandt Family

Notes

Former owner

Related Entries

Notes

VC.58.28 a-b - Painting - Part of set VC.58.31 a-b - Painting - Similar item VC.58.28 a-b - Painting - Similar item VC.58.30 a-b - Painting - Similar item VC.58.30 a-b - Painting - Part of set VC.58.31 a-b - Painting - Part of set

General Notes

Note Type

Curatorial Remarks

Note

Miscellaneous: - Method. The black print of a mezzotint engraving cemented to Crown or Bristol glass with oil of turpentine; paper removed in layers from the reverse, leaving only the ink lines and dots; oil color was applied from the reverse of glass; coat of mastic varnish on the transfer printed and painted glass was applied in transparent and protective coat. (See Hughes). The process was used from the late 17th century to about the 1770s. However, mezzotints were known in England as early as 1665 when Pepys mentions them in his diary. Harry Shaw Newman of the Old Print Shop supplied an 18th century frame.

Note Type

General Note

Note

w. VC.58.29B

Note Type

StorageNote

Note

Home Location: Historic Hudson Valley, Van Cortlandt Manor, Northeast Chamber/Catherine's