Punch bowl

Object/Artifact

-

Historic Hudson Valley

Name/Title

Punch bowl

Entry/Object ID

VC.59.163

Description

Punch bowl: polychrome decorations; exterior, beneath border of S-scrolled vines and floral motifs, bears four groupings of Masonic symbols (e.g., the compass, rule, sealed book, bee-hives, etc.); interior, beneath dentilled border, bears other symbols of Freemasonry (sun, moon, stars, trees, wheat), the most important of which is the pair of Ionic columns upon a checkered floor, between which occurs the letter "G" with a rayed nimbus; upon the exterior bottom is the name of the owner of the bowl: "Brother Joseph Elliot." (other symbols include: bucksaw, set table, closed box)."

Made/Created

Artist Information

Artist

Unknown

Attribution

Maker

Notes

Dates: 1768 - 1799 Date made: r. 1768 - 1799

Inscription/Signature/Marks

Type

Inscription

Transcription

(See Description)

Dimensions

Dimension Description

Overall

Diameter

11-1/4 in

Dimension Notes

Display Dimensions: 11 1/4 in. (28.6 cm)

Material

Porcelain (hard-paste)

Relationships

Related Person or Organization

Person or Organization

Judge Robert R. Livingston

Notes

Former owner

Person or Organization

Brother Joseph Elliott

Notes

Former owner

General Notes

Note Type

Curatorial Remarks

Note

Miscellaneous: In the "Antiques" article (v. Bibliography), Gowans points out the tremendous influence upon American thought, life, architecture, and decorative arts exerted by Freemasonry especially during the period c. 1775-1825. In the decade following the founding in London of the Grand Lodge (1717), the supposed secrets of the organization were published in Philadelphia, and membership in America flourished. Most of the leaders of the Revolution were Masons; and Masonry became in America much equated with patriotism and the establishment of a new and idealistic nation. Freemasonry, in itself almost a new religion, was an attempt to formulate a way of life, integrated with a canon of taste, that was based partially upon Christian doctrine and partially upon Classical ideals. Contributing symbols to every phase of the arts in America, Masonry and "Masonic imagery seems to permeate American culture almost as Christian symbolismm permeated the art of the Middle Ages." * A few of the meanings of symbols found upon the bowl VC.59.163, are as follows: Compass: "To limit our desires in every station." Square (or rule): "To regulate our conduct by principles of Morality." Trowel: "Spreading the cement of brotherly love." Checkered floor: "Representing the floor of King Solomon's temple, emblematic of good and evil." Ionic column: The "Pillar of Wisdom", or King Solomon. "G": God. etc. * Quoted from "Antiques" (Mag.) loc.cit. While the provenance of this object includes Judge Robert R. Livingston, Pierre Van Cortlandt was also a freemason. He is listed as the first Master of Cortlandt Lodge No. 34 of Peekskill, NY, a lodge chartered Dec 21, 1793. On Dec. 10, 1804 he was sent a summons to answer for his non-attendance, according to a document "Craft Masonry in Westchester and Putnam Counties, New York" compiled by Gary L. Heinmiller of the Onondaga & Oswego Masonic Districts Historical Societies (OMDHS) in May 2011. [Jessa J. Krick, 1/29/2014].

Note Type

StorageNote

Note

Home Location: Historic Hudson Valley, Van Cortlandt Manor, Parlour