Name/Title
Scrimshaw: New York Harbor and the Roadstead at GibralterEntry/Object ID
2025.04.02.02Description
Scrimshaw
ca.late-18th-century to mid-19th century
Front: This is a depiction of New York Harbor
Back: This image depicts the Roadstead at Gibraltar.Use
The making of scrimshaw began on whaling ships in the late 18th century and survived until the ban on commercial whaling. It was a leisure activity practices by sailors who had an abundance of raw material (whale products) available.Context
Scrimshaw is scrollwork, engravings, and carvings done in bone, ivory, or whale products such as teeth and baleen. Typically it refers to the artwork created by whalers, engraved on the byproducts of whales. It is most commonly made out of the bones and teeth of sperm whales, the baleen of other whales, and the tusks of walruses. It takes the form of elaborate engravings in the form of pictures and lettering on the surface of the bone or tooth, with the engraving highlighted using a pigment, or, less often, small sculptures made from the same material. (Some content from Wikipedia: https://en.wikipedia.org/wiki/Scrimshaw)
Scrimshandering, as the whalemen called it — making scrimshaw — was an indigenous and exclusive shipboard art of the deepwater trades, practiced mostly by whalers but also occasionally by navy tars and merchant seamen. The whalemen’s practice of engraving pictures on whale ivory, walrus ivory, baleen, and skeletal bone originated in the late Colonial era, almost precisely coevally with the beginnings of whaling out of New Bedford; it matured in the 1820s and ’30s, as New Bedford itself ascended to dominate whaling worldwide; it continued well into the 20th century, right up to the collapse of conventional hand-whaling on sailing ships and rowboats; and, reborn among the “modern” whalers on mechanized floating-factory whaleships and shore stations, it persisted throughout most of the 20th century.
SOURCE: New Bedford Whaling Museum (https://www.whalingmuseum.org/exhibition/scrimshaw/)Acquisition
Source (if not Accessioned)
Miss Mary Phillips CarrNotes
Donated in 1891Lexicon
Nomenclature 4.0
Nomenclature Tertiary Object Term
ScrimshawNomenclature Secondary Object Term
CarvingNomenclature Primary Object Term
SculptureNomenclature Class
ArtNomenclature Category
Category 08: Communication ObjectsLOC Thesaurus for Graphic Materials
CarvingMaterials
Material Notes
Sperm whale toothLocation
Location
Cabinet
Display Case 6Room
Charles Whipple Greene Historical CollectionBuilding
George Hail Free LibraryDate
April 2, 2025Relationships
Related Person or Organization
Person or Organization
Miss Mary Phillips CarrProvenance
Notes
Donated by Miss Mary Phillips Carr, 1891Create Date
April 2, 2025Update Date
July 17, 2025
