Scrimshaw: Dapper Peer and Bishop McKendree

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Name/Title

Scrimshaw: "Dapper Peer" and "Bishop McKendree"

Entry/Object ID

2025.04.21.05

Description

Scrimshaw depicting a "dapper" man on one side; the opposite side seems to be an homage to Bishop William McKendree, a prominent Methodist.

Use

The making of scrimshaw began on whaling ships in the late 18th century and survived until the ban on commercial whaling. It was a leisure activity practices by sailors who had an abundance of raw material (whale products) available.

Context

Scrimshaw is scrollwork, engravings, and carvings done in bone, ivory, or whale products such as teeth and baleen. Typically it refers to the artwork created by whalers, engraved on the byproducts of whales. It is most commonly made out of the bones and teeth of sperm whales, the baleen of other whales, and the tusks of walruses. It takes the form of elaborate engravings in the form of pictures and lettering on the surface of the bone or tooth, with the engraving highlighted using a pigment, or, less often, small sculptures made from the same material. (Some content from Wikipedia: https://en.wikipedia.org/wiki/Scrimshaw) "Scrimshandering, as the whalemen called it — making scrimshaw — was an indigenous and exclusive shipboard art of the deepwater trades, practiced mostly by whalers but also occasionally by navy tars and merchant seamen. The whalemen’s practice of engraving pictures on whale ivory, walrus ivory, baleen, and skeletal bone originated in the late Colonial era, almost precisely coevally with the beginnings of whaling out of New Bedford; it matured in the 1820s and ’30s, as New Bedford itself ascended to dominate whaling worldwide; it continued well into the 20th century, right up to the collapse of conventional hand-whaling on sailing ships and rowboats; and, reborn among the “modern” whalers on mechanized floating-factory whaleships and shore stations, it persisted throughout most of the 20th century." SOURCE: New Bedford Whaling Museum (https://www.whalingmuseum.org/exhibition/scrimshaw/)

Made/Created

Time Period

19th Century

Lexicon

Nomenclature 4.0

Nomenclature Tertiary Object Term

Scrimshaw

Nomenclature Secondary Object Term

Carving

Nomenclature Primary Object Term

Sculpture

Nomenclature Class

Art

Nomenclature Category

Category 08: Communication Objects

Getty AAT

Concept

scrimshaws

LOC Thesaurus for Graphic Materials

Carvings

Dimensions

Height

5-1/2 in

Width

2 in

Location

Location

Cabinet

Display Case 6

Room

Charles Whipple Greene Historical Collection

Building

George Hail Free Library

Date

April 21, 2025

Condition

Overall Condition

Fair

Exhibition

Scrimshaw

Research Notes

Research Type

Researcher

Person

Suzanne Reynolds-Alpert

Date

Jun 23, 2025

Notes

"Bishop McKendree" and the pastoral scene inscribed on one side of this tooth may refer to Bishop William McKendree (1757--1834) who was instrumental in the flourishing of Methodism in America. (See: https://mainstreetmediatn.com/articles/life-portlandsun/bishop-william-mckendree-apostle-to-the-american-frontier/). "Dapper Peer" on the opposite side seems to depict a well-dressed late 1700s man. The word "dapper" would have had a similar meaning as it does today--a well-dressed, refined man.

Create Date

April 21, 2025

Update Date

July 17, 2025