CE 1600 Ulisse Aldrovandi, Mythical and Composite Birds, from Ornithologiae

Name/Title

CE 1600 Ulisse Aldrovandi, Mythical and Composite Birds, from Ornithologiae

Description

Ulisse Aldrovandi (1522–1605) From Ornithologiae Bologna, c. 1599–1600 Woodcuts and letterpress on paper Three-leaf group These three leaves come from Ulisse Aldrovandi’s extensive study of birds and include woodcuts representing creatures derived from classical mythology and earlier natural-historical traditions. Among the subjects represented are composite beings conventionally identified with griffins, sphinxes, harpies, and other creatures combining avian, mammalian, and human anatomical features. Aldrovandi was a Bolognese naturalist whose collections and publications formed one of the major natural-historical projects of the late Renaissance. His method encompassed specimens and direct observations but also textual traditions inherited from ancient and medieval authors. Creatures now categorized as mythological consequently appear within the same encyclopedic project as recognizable birds. Their inclusion does not mean that all such creatures were treated as equally well established. Early natural histories frequently preserved disputed reports and textual traditions in order to document and evaluate the accumulated literature concerning the natural world. These leaves are particularly useful for understanding the unstable boundary between zoology, textual scholarship, and the study of marvelous or purported creatures around 1600.

Create Date

July 18, 2026

Update Date

September 5, 2026