Red Tropical Circle (Milwaukee Conservatory)

Name/Title

Red Tropical Circle (Milwaukee Conservatory)

Collection

Wisconsin Art Collection, Artwork Collection

Acquisition

Accession

1981.4

Source or Donor

Frank "Frankie B." Cole

Acquisition Method

Purchase

Made/Created

Artist

Frank "Frankie B." Cole

Date made

circa 1981

Inscription/Signature/Marks

Type

Signature

Location

Lower right

Transcription

"Frankie B. Cole"

Dimensions

Dimension Description

Image Size

Diameter

15 in

Dimension Description

Framed Size

Height

22-1/4 in

Width

18-1/4 in

Dimension Description

Matted Size

Height

19-1/2 in

Width

16 in

Relationships

Related Person or Organization

Person or Organization

Freewheelers

Related Publications

Notes

Materials pertaining to the artist are available in the Milwaukee Black Arts Movement digital collection: https://content.mpl.org/digital/collection/MkeBAM/.

Interpretative Labels

Label

“The Camera Artistry of Frankie Cole” has helped shape Milwaukee’s self-identity since the 1970s. Across decades of creative work, Cole has turned his lens to capture internationally known entertainers including Marvin Gaye, Roberta Flack, and Taj Mahal, and mainstays of Milwaukee’s skyline and cultural life, including as official photographer of the Great Circus Parade. Cole, with Michael Ward and Gerald Duane Coleman, was a founder of the Freewheelers at the Martin Luther King Library. “Red Tropical Circle" exemplifies Cole’s innovative technique of “us[ing] my camera like a paint brush” to convey a “beautiful trip of emotions, impressions and moods of people, places and things.” In this composition, Cole's camera artistry creates a sense of "inner movement" shared by Richard Overton's two abstract compositions and the puzzle pieces of Edgar Jeter's "Girl Reading." Picturing a waterfall at the Mitchell Park Domes (formerly Milwaukee Conservatory), "Red Tropical Circle" joins other works in celebrating the places and public institutions that help connect us and anchor our social infrastructure: the library (Edgar Jeter’s “Girl Reading”), the zoo (Gerald Coleman’s “Pride of the Bamboo Forest,” based on the gorillas at the Milwaukee County Zoo), and neighborhoods and front stoops (Sylvester Sims’s “Brothers” and its look back to the “warmth, vigor and camaraderie” of 'Old Walnut Street').