Catalogue Image: 2015-00-00
Catalogue Image

2015-00-00

Name/Title

The Divine Triad

Entry/Object ID

79NE0528

Description

Relief of three standing gods, facing front, in military garb with left hands on the hilt of their swords. Middle god is bearded, and all figures are missing their right arms and legs beneath the knees.

Type of Sculpture

Relief

Artwork Details

Medium

Plaster

Context

This stone relief is of particular interest in that the faces of the gods have been preserved intact, making the sculpture quite rare, since few depictions of the triad are known. The long, flowing hair of the central god is adorned with a calathos and a ribbon, in the Parthian style; he also wears Persian trousers. His beard indicates that he is Ba'alshamin, as opposed to Bel. He is flanked by two gods: beardless, bare-legged, with curly hair, their heads are surrounded by radiant halos. These are the lunar god Aglibol, on the left, identifiable by his lunar crescent, and the sun god Malakbel, on the right. The relief was discovered near Palmyra, where Ba'alshamin's temple was second in importance only to the temple of Bel. Aglibol and Malakbel, gods of the traditional pantheon, also had a common temple there. The triad was formed through the association of two old gods of the Palmyrene religion with the supreme god. This sculpture is the most significant and oldest known depiction of the triad of Ba'alshamin. The three standing gods wear tight-sleeved tunics and are depicted in military garb: lamellar cuirasses and Roman cloaks fastened at the right shoulder with fibulae. They grasp the hilts of their swords with their left hands, while their right hands, now missing, possibly gripped spears or scepters. In Syria a host of divinities were represented in military garb. The lamellar cuirass was inspired by Oriental Hellenism. Its style predates the Roman muscle cuirass, which replaced the Hellenistic cuirass during the first century AD. This triad was the product of an official belief system, and its various sources of inspiration-Parthian, Hellenistic, and Roman-exemplify vividly the original and hybrid art of Palmyra.

Made/Created

Date made

1 CE - 200 CE

Time Period

Roman Imperial

Ethnography

Culture/Tribe

Near Eastern - Palmyrene

Dimensions

Dimension Description

Overall

Height

61 cm

Width

73 cm

Depth

16 cm

Research Notes

Research Type

Researcher

Notes

Browning, Iain. Palmyra. Park Ridge: Noyes Press, 1979. Public: No

Research Type

Researcher

Notes

Colledge, Malcolm A. R. Art of Palmyra. Boulder Colorado: Westview Press, 1976. Pages 41-48. Public: No

Research Type

Researcher

Notes

Syria: Revue d'art Oriental et Archaelogie. La triade de Baalshamin.Vol 48. 1971. Pages 94-101. Public: No

Research Type

Researcher

Notes

Seyrig, Henry. Syria: Revue d'art Oriental et d'archaeologie. Antiquites-40, Sur Une Idole Hierapolitaine. Vol. 26. 1949. Public: No

Research Type

Researcher

Notes

Robertson, H. Russel. The Armor of Imperial Rome. Public: No

Research Type

Researcher

Notes

Geunther, P. SyriaL Revue d-art Oriental et d'archeologie. Vol. 47. 1970. Public: No

Research Type

Researcher

Notes

Papin, Caroline. "The Divine Triad". Louvre, https://www.louvre.fr/en/oeuvre-notices/divine-triad Public: No