Name/Title

Sleeping Hermaphrodite

Entry/Object ID

21R01240

Description

Nude figure lying on a tufted mattress and a pillow. The figure lies a prone position with head resting on their right forearm. There is drapery wrapped about the body from the left forearm to the feet and legs. The right index finger and tip of the thumb are broken off, and all the fingers on the left hand are broken off. 3-D printed resin replica of a marble original.

Type of Sculpture

Statue

Artwork Details

Medium

Marble

Subject

Sleeping Hermaphrodite

Subject Person

Hermaphrodite

Context

The story of Hermaphrodite is told in Ovid's Metamorphoses, and describes the love of the naiad, Salmacis, for the youth, Hermaphrodite, whom she encountered one day when he came to bathe in the lake she inhabited. Constantly rejected by the object of her passion, Salmacis dragged Hermaphrodite to the bottom of the lake, begging the gods never to separate them. Her wish was granted, and the two were combined into one person, both male and female. Images of Hermaphrodite are documented starting at least in the fourth-century BCE and were a favourite topic in artists' workshops during the Hellenistic era. They are known in two main types: standing, either Anasyromenos (with robe lifted to reveal male sex organs), or reclining nude. Hellenistic bronze sculptures of sleeping Hermaphrodite, sometimes attributed to a sculptor named Polycles, have not survived, but the figure is known from numerous marble copies dated to the Roman era. The known copies include those in major collections at the National Museum in the Palazzo Massimo, Borghese Gallery, and Vatican Museums in Rome, in Florence's Uffizi Gallery, and in the Hermitage Museum at St. Petersburg. One of the most famous is this, a copy of the Sleeping Hermaphrodite from the Louvre. Each copy depicts Hermaphrodite seemingly in the act of turning in sleep, slightly entangled in a sheet. The Louvre Hermaphrodite was unearthed in 1618 during the construction of the Church of Santa Maria del Vittoria near the Baths of Diocletian in Rome and dates to the second-century CE. It was gifted to Cardinal Scipione Borghese, and became part of the Borghese collection. Portions of the statue were restored in 1620 by David Larique. The mattress and pillow upon which Hermaphrodite sleeps is an addition, created in 1620 by renowned sculptor Gian Lorenzo Bernini. The statue remained in the Borghese collection until the discovery in 1781 of another second-century copy, at which time it was sold to the Louvre in 1807. The original is carved from Carrara marble.

Collection

Roman Empire

Made/Created

Artist

Unknown

Date made

100 CE - 150 CE

Time Period

Roman Imperial

Place

City

Rome

Country

Italy

Ethnography

Cultural Region

City

Rome

Country

Italy

Culture/Tribe

Roman

Dimensions

Height

46.5 cm

Width

90.5 cm

Length

173.5 cm

Weight

86.3 kg

Web Links and URLs

Louvre Collections Online

Research Notes

Research Type

Reference

Notes

Ashmolean Museum, Marble Statue of Hermaphroditus https://www.glam.ox.ac.uk/outinoxford-ash-hermaphroditus

Research Type

Reference

Notes

Axt, Gunter. "Higher Education, Gender and Freedom of Expression-Interview with Camille Paglia." Interfaces Brasil/Canadá 19, no. 2 (2019): 113-135. Note page: 118.

Research Type

Reference

Notes

Borghese Gallery, Sleeping Hermaphrodite https://borghese.gallery/collection/sculpture/sleeping-hermaphroditus.html

Research Type

Reference

Notes

Calè, Luisa, and Stefano Evangelista. "‘A bright erroneous dream’: The Shelley Memorial and the body of the poet." Word & Image 34, no. 1 (2018): 16-30. DOI: 10.1080/02666286.2017.1334505. Note pages: 26-28.

Research Type

Reference

Notes

McDermon, Daniel. "What the Sleeping Hermaphrodite Tells Us About Art, Sex and Good Taste." The New York Times. June 24 (2016). https://www.nytimes.com/interactive/2016/06/27/arts/design/statue-hermaphrodite.html

Research Type

Reference

Notes

Ovid, Metamorphoses, 4.317-388 https://ovid.lib.virginia.edu/trans/Metamorph4.htm#478205197

Research Type

Reference

Notes

Pensabene, Patrizio. "Hermaphrodites and Sleeping or Reclining Maenads: Production Centres and Quarry Marks." In ASMOSIA XI, Interdisciplinary Studies on Ancient Stone, Proceedings of the XI International Conference of ASMOSIA, pp. 25-31. University of Split, Arts Academy in Split, 2018. Note page: 27. https://doi.org/10.31534/XI.asmosia.2015/01.01