Right Side: 2015-00-00
Right Side

2015-00-00

Name/Title

Apollo of Piombino

Entry/Object ID

75G0404

Description

Standing figure of Apollo facing front, right arm bent at elbow with open hand extending forwards, and left arm bent at elbow with hand closed in a fist. His stance is Archaic with his left foot forward and the weight being equally distributed on both feet. The hair style is quite developed in more Greek style, but the facial features, while more natural, still have Archaic undertones placing the original of this statue in the Transitional Period of Greek art. Plaster copy of bronze original.

Type of Sculpture

Free Standing

Artwork Details

Medium

Bronze

Subject Person

Apollo

Context

This kouros-style statue was recovered from the sea near Piombino, Italy (ancient Populonia) by two fisherman in 1832. The original statue has a dedicatory inscription inlaid in silver on the left foot (missing from the Museum's replica) that reads “ΑΘΑΝΑΙΑ ΔΕΚΑΤΑΝ,” dedicating this statue of Apollo to the goddess Athena, or more specifically to Athana (Athena) Lindia, who had a sanctuary at Rhodes. Within the statue was a lead tablet inscribed with the names of two artists, Menodotos of Tyre and Xenophon of Rhodes. Menodotos belonged to a famous workshop in Rhodes founded by his father who had immigrated there from Tyre. Menodotos was active from around 129 to 100 BCE. There has been some controversary surrounding the authenticity of the statue after a convincing article written Brunilde Ridgway in 1967 touted it as a Roman forgery. More recent scholarship disputes this claim in favour of a late Hellenistic Rhodian workshop creating a kouros statue in an Archaizing style. Given its find location along the coast of Italy, it is possible that this kouros was one of a number of copies created for upper class Roman customers. While the statue exudes the transitional Archaic-Classical style of the late 6th century BCE, scholars argue that this statue fits within the Eastern Archaizing tradition of the late Hellenistic period. The statue strongly exudes the features of an Archaic kouros statue given its almond-shaped eyes, rigid posture, and left foot forward stance. Yet, some features indicate the late Archaic transition to the Classical style with its more relaxed hairstyle, the increased naturalism in the bodily form, the loss of the 'Archaic smile', and the gestures of the hands that almost invite the viewer in.

Collection

Archaic Greece

Made/Created

Artist Information

Artist

Menodotos of Tyre

Role

Sculptor

Artist

Xenophon of Rhodes

Role

Sculptor

Date made

125 BCE - 100 BCE

Time Period

Hellenistic

Place

City

Rhodes

Country

Greece

Ethnography

Cultural Region

City

Rhodes

Country

Greece

Culture/Tribe

Greek - Archaic

Dimensions

Dimension Description

Overall

Height

115 cm

Width

37 cm

Depth

38 cm

Dimension Description

Base Width

Width

35 cm

Dimension Description

Base Depth

Depth

35 cm

Dimension Description

Base Height

Height

10 cm

Web Links and URLs

Louvre Collections Online

Research Notes

Research Type

Researcher

Notes

Archaic Style in Greek Sculpture. Princeton: University Press, 1977. Public: No

Research Type

Curator

Notes

Badoud, N. "Une famille de bronziers originaires de Tyr." Zeitschrift für Papyrologie und Epigraphik 172 (2010): 125-143.

Research Type

Curator

Notes

Mille, Benoit and Descamps-Lequime, Sophie. "A Technological Reexamination of the Piombino Apollo." Artistry in Bronze: The Greeks and their Legacy. XIXth International Congress on Ancient Bronzes. Eds. Jens M. Daehner, Kenneth Lapatin, and Ambra Spinelli. Los Angeles: J. Paul Getty Trust, 2017: 349-360.

Research Type

Curator

Notes

Ridgway, Brunilde. "The Bronze Apollo from Piombino in the Louvre." Antike Plastik 7 (1967): 43-85.

Research Type

Curator

Notes

Garvin, Kaitlyn M. A Genuine Dilemma: The Piombino Apollo and Fraud in the First and Second-Century Greco-Roman Art Market. MA Thesis. University of Oregon, June 2016.