Minoan Stirrup Jar

Back: 2015-00-00
Back

2015-00-00

Name/Title

Minoan Stirrup Jar

Entry/Object ID

88A0150

Description

A Minoan stirrup jar decorated with octopuses and other marine life across the entire outer surface. The opening on this jar is quite small in relation to the rest of the jar, having a flared rim that narrows into a short, constricted (false) neck. Two small handles are attached to the side of the rim and arch down to connect to the shoulder of the vessel. A small spout with a flared rim is also attached to the shoulder in front of the handles and opening of the vessel. In general, the body has a somewhat squat, urn-like shape. From the wide shoulders it narrows significantly before it reaches its flat base.

Use

Storage/Serving.

Context

The detailed oceanic artwork on this stirrup jar is symbolic of one of the most iconic and well-known art styles of the ancient Mediterranean: Marine Style. Notably, Marine Style is just one of the major subdivisions that made up what is referred to as the ‘Special Palatial Tradition’, the other three being Floral Style, Geometric and Abstract Style, and Alternating Style. Despite being the most well-known today, Marine Style was not the most popular out of these four in antiquity, though it is still found in a variety of different contexts and was used to decorate many kinds of vessels. Focusing on the artwork itself, this stirrup jar features an octopus, the most common Marine Style motif. When looking at Minoan Marine Style art, it is important to draw attention to the artist’s understanding of their environment. Although stylized, they clearly painted the octopus with a deep understanding of how it exists in its natural habitat. Its twisting tentacles writhe across the surface of the pot in a way that imitates their movement across a shallow seabed, which is represented on the vessel through the presence of tritons, sea urchins, coral, and marine vegetation. Outside of just representing Crete’s culture and natural environment, the images of octopuses and other marine life on Minoan ceramics may have connections to a few different concepts. For example, some scholars believe that the octopus may have been a symbol of death or the journey into the afterlife. This is based on the fact that octopuses are often painted on larnakes (small coffins) of the Postpalatial period (1470 BCE–1075 BCE), and the animal’s ability to regrow cut off limbs made it a suitable symbol for a set of religious beliefs linked to regeneration, life after death, and cyclical transformations. Other interpretations of the octopus and Marine Style motifs—which centre on the power of the ocean, the power of the elite, and the economic importance of the ocean—clearly show a link to ritual activities and beliefs. However, it’s the strength of this association and the exact meanings that are still disputed amongst scholars today. In antiquity, stirrup jars were specialized storage vessels used for containing oil or wine. It is likely that they were originally intended to serve the same purpose as amphorae, but had the advantage of featuring a spout, making pouring the contents of the jar far more convenient.

Made/Created

Date made

circa 1500 BCE - circa 1450 BCE

Time Period

Bronze Age

Place

Institution

World Treasures, USA

Ethnography

Cultural Region

Island

Crete

Culture/Tribe

Minoan

Dimensions

Dimension Description

Overall

Height

7 cm

Diameter

16.5 cm

Material

Resin

Research Notes

Research Type

Reference

Notes

Berg, Ina. "Towards a Conceptualization of the Sea: Artefacts, Iconography and Meaning." In The Seascape in Aegean Prehistory, edited by Giorgos Vavouranakis. The Danish Institute at Athens, 2011. Note pages 122–124 and 131–132.

Research Type

Reference

Notes

Gill, Margaret A. V. "Some Observations on Representations of Marine Animals in Minoan Art, and their Identification." Bulletin de Correspondance Hellénique 11, no.1 (1985): 63–81. Note page 75.

Research Type

Reference

Notes

Hallager, Birgitta. "Minoan Pottery." In The Oxford Handbook of the Bronze Age Aegean, edited by Eric H. Cline. Oxford University Press, 2010. Note page 411.

Research Type

Reference

Notes

Haskell, Halford W. "The Origin of the Aegean Stirrup Jar and its Earliest Evolution and Distribution (MB III-LB I)." American Journal of Archaeology 89, no. 1 (1985): 221–229. Note pages 221 and 223.

Research Type

Reference

Notes

Haysom, Matthew. "Fish and Ships: Neopalatial Seascapes in Context." In The Seascape in Aegean Prehistory, edited by Giorgos Vavouranakis. The Danish Institute at Athens, 2011. Note page 87.

Research Type

Reference

Notes

Stansbury-O'Donnell, Mark D. A History of Greek Art. John Wiley & Sons, Inc., 2015. Note pages 37 and 39.