Note Type
RemarksNote
Chronology Excerpt:
“Departs from papier-mâché as a material, ‘turning to other media he probably considered more sophisticated,’ argues Holmes. ‘Between 1958 and 1960, Harris leaned into his sculpture in these media, which offered a plasticity akin to that of papier-mâché but were more historically aligned with the fine arts. <i>Torso II</i> (1958), one of his first fully developed concrete works, was made from a papier-mâché cast titled <i>Torso I</i>, though he later used plaster for these purposes.’”
