Stained Glass Panel

Object/Artifact

-

Planting Fields

Name/Title

Stained Glass Panel

Entry/Object ID

1955.002.016

Description

[W12] Flemish Stained Glass Panel depicting a bust length portrait of a Noblewoman with her her turned to the right in 3/4 profile view on a blue ground. She wears a red cloak and golden crown on her head which is surrounded by two shields on opposing sides, adjacent to fragmented columns. The top features a scrolling arch with curved, foliate, clover shaped ends. The lower section has two lines of text inscribed in Ancient Flemish. Possibly "Blue Head of Light" Formerly titled "Seven Pieces of Heraldry"

Acquisition

Accession

1955.002.016

Source or Donor

Coe, William Robertson

Acquisition Method

Found in Collection

Made/Created

Place

Location

England

Notes

Date: Mid-Late 16th Centur-Early 17th Century

Lexicon

Legacy Lexicon

Object Name

Windowpane, Stained Glass

Dimensions

Height

23-3/8 in

Width

16-1/2 in

Dimension Notes

Windowpane: 77.50 (H) x 22.50" (W)

Material

Stained Glass, Lead

Location

Location

Room

Dining Room

Building

Coe Hall

Category

Permanent

Date

August 16, 2023

Location

Room

Dining Room

Building

Coe Hall

Category

Permanent

Inventory

Inventory Project

INV2024.1

Inventoried By

Amanda Massimillio

Inventoried Date

Jun 26, 2024

Inventoried By

Leger

Inventoried Date

Jul 7, 2023

Condition

Notes

Condition survey by Brooklyn Stained Glass Conservation Center, 55 Washington St., Suite 312, Brooklyn 11201 on 10/2003.

Maintenance

Maintenance History

Date

Oct 24, 2007

Provenance

Notes

England

Research Notes

Research Type

Scholar

Person

Thomas Pevernagie

Date

Jul 21, 2025

Notes

Based on the iconography, it does indeed seem possible that this is Isabella I of Castile (1451–1504). In the Habsburg Netherlands, she was known as Isabella the Catholic and was the maternal grandmother of Charles V. It appears to be an early 16th-century stained glass window—characterized by the transition from Gothic to Renaissance (ca. 1500–1530)—but it appears to be in fact a composite of several glass plates from different origins. For instance, the inscription in the cartouche in the lower glass section appears to be a combination of two different phrases: "hort hier sine mirackel groot, van verweckene van der doot" (Hear here his great miracle, of the raising from the dead – Jacob Van Maerlant, Leven van St. Franciscus - Life of St. Francis, 1275–1280) • "die scrijve hebben op xps [Christus], [...], dat de Samaritane vander g[...]" (those who wrote about Christ, [...], that the Samaritan woman of the g[...]) – presumably free verse after John 4:1–42 (The Samaritan Woman)

Research Type

Scholar

Person

Dr. Isabelle Lecocq

Date

Aug 19, 2025

Notes

"At the request of my colleague Géraldine, I have examined your stained-glass panel. Since it has been reassembled from different elements, it is not easy to interpret, and identifying a historical figure seems unlikely. From a stylistic perspective, I would date its execution to around 1530–1550. For the moment, I am afraid I cannot provide any further insights."

General Notes

Note

Notes: Purchased by William Robertson Coe in 1924 from Roy Grosvenor Thomas in New York.

Created By

admin@catalogit.app

Create Date

October 24, 2007

Updated By

mpenny@plantingfields.org

Update Date

August 19, 2025