Entrance to the Zuider Zee (Texel Island)

Name/Title

Entrance to the Zuider Zee (Texel Island)

Entry/Object ID

1990.15.04

Type of Print

Etching

Artwork Details

Medium

Paper, ink

Acquisition

Accession

1990.15

Source or Donor

William A. McGill

Acquisition Method

Gift

Credit Line

Gift of William A. McGill

Made/Created

Artist

R. Kent Thomas

Date made

1877

Lexicon

Nomenclature 4.0

Nomenclature Tertiary Object Term

Etching

Nomenclature Secondary Object Term

Print, Intaglio

Nomenclature Primary Object Term

Print

Nomenclature Sub-Class

Graphic Documents

Nomenclature Class

Documentary Objects

Nomenclature Category

Category 08: Communication Objects

Dimensions

Dimension Description

14 x 18

Height

7-1/2 in

Width

9-1/2 in

Interpretative Labels

Label Type

Cultural/Historical Context

Label

"Entrance to the Zuider Zee, Texel Island Etching 8 1/2 x 6 3/8 in. Inscribed at bottom of print: R. Kent Thomas, Entrance to the Zuider Zee, (Texel Island) 1877 Acc. No. 1990.15.04 Robert Kent Thomas was born in London in 1816, and he worked as a sketcher, painter, and printmaker from 1843 to 1883. Most of Kent Thomas’s prints are images of buildings and landscapes located in various parts of Europe, especially Great Britain and France. The present print, representing a landscape in Holland, is special in his oeuvre. Kent Thomas died in 1883 and is remembered as a skilled 19th-century etcher. In this print, the initials “RK”, which seem to mirror each other, appear in the bottom left corner. The etching depicts the arrival of vessels in the North Sea at an inlet off the coast of Holland. Zuider Zee, a Dutch term meaning “southern sea”, was formerly a lake which over time became flooded to form a large inlet of the North Sea. This body of water is about 50 kilometers wide and four to five meters deep. The coastline around the inlet is approximately 300 kilometers long, and adjacent to the inlet is Texel Island. People of the towns in and around this area relied on fishing and light industry for a living. The entrance to the Zuider Zee was closed by a dam in 1932. The print realistically shows people working on vessels of all sizes as they arrive at Texel Island, with waves of the sea also represented and a fishing net visible in the lower left corner. Another figure, apparently a farmer, appears working on the nearby land. Kent Thomas uses techniques of hatching, varied line work, and chiaroscuro throughout the work, and more than half of the print consists of the sky. The foreground is darkened, creating a dramatic effect. Alison Obermeyer"