Maximillian II

Name/Title

Maximillian II

Entry/Object ID

2021.05.8

Description

Bust portrait of a man set in a circular frame made of cherubs. Inscription in Latin at the bottom.

Type of Print

Engraving, Etching

Artwork Details

Medium

Paper, ink

Acquisition

Accession

2021.05

Source or Donor

Art Museum of Greater Lafayette

Acquisition Method

Gift

Source (if not Accessioned)

Art Museum of Greater Lafayette

Made/Created

Artist Information

Artist

Pieter Van Sompel

Role

Print Maker

Artist

Pieter Claesz Soutman

Attribution

After

Role

Painter

Date made

circa 1650

Lexicon

Nomenclature 4.0

Nomenclature Primary Object Term

Print

Nomenclature Sub-Class

Graphic Documents

Nomenclature Class

Documentary Objects

Nomenclature Category

Category 08: Communication Objects

Dimensions

Height

17-1/2 in

Width

14-1/4 in

Color

Black, White

Copyright

Type of License

None

Copyright Holder

Purdue University Galleries

Restrictions

In the public domain.

Exhibition

Legacy of Gifting: Donations from the Lafayette Art Museum (2023)

Interpretative Labels

Label Type

Exhibition label

Label

Pieter van Sompel (ca. 1600-after 1643), Dutch after Pieter Claesz Soutman (ca. 1580-1657), Dutch Maximillian II, ca. 1650 Ink on paper engraving 2021.05.8 This is of Mary of Burgundy’s great-grandson Maximillian II (1527-1576) who became Holy Roman Emperor in 1564. Like the portrait of Mary, this engraving was created for a mid-17th century Dutch book of portraits of historic rulers titled “Effigies imperatorum domus Austriacae” – or “Pictures of the Royal Austrian Family.” This is plate nine of thirteen. At this time two branches of the Hapsburg family had developed, one in Spain and one in Austria. The Spanish branch ruled the Netherlands and Low Countries since the late 15th century. While there were many causes for conflict between Spain and the Netherlands, religious differences were a major flash point. The Hapsburgs were Cathole while the Dutch were predominately Protestant.