Queen of Spades

Name/Title

Queen of Spades

Entry/Object ID

1996.23.05.03

Description

On Arches paper

Type of Print

Lithograph

Artwork Details

Medium

Paper, ink

Acquisition

Accession

1996.23

Source or Donor

Reese Palley, Marilyn Arnold Palley

Acquisition Method

Gift

Credit Line

Gift of Reese and Marilyn Arnold Palley

Made/Created

Artist Information

Artist

Salvador Dalí

Role

Artist

Date made

1968

Time Period

20th Century

Edition

Edition

Queen of Spades

Edition Size

150

Edition Number

9

Notes

Noted on lower left below image

Inscription/Signature/Marks

Type

Print number and run

Location

Lower left below image

Transcription

9/15]

Material/Technique

Written, Pencil

Type

Signature

Location

Lower right

Transcription

Dali

Material/Technique

Pencil, Written

Lexicon

Nomenclature 4.0

Nomenclature Tertiary Object Term

Lithograph

Nomenclature Secondary Object Term

Print, Planographic

Nomenclature Primary Object Term

Print

Nomenclature Sub-Class

Graphic Documents

Nomenclature Class

Documentary Objects

Nomenclature Category

Category 08: Communication Objects

Dimensions

Dimension Description

Image

Height

14-1/4 in

Width

9-1/4 in

Dimension Description

Sheet

Height

26 in

Width

19-3/4 in

Interpretative Labels

Label Type

Cultural/Historical Context

Label

" ""The difference between a madman and me,"" Dali is often quoted as saying, ""is that l am not mad."" Indeed he was not, for largely through his own skillful self-promotion, Dali remains one of the most familiar names in the annals of 20th century art. Best known as the most exotic and eccentric proponent of the Surrealist movement, Dali created through what he termed ""paranoic-critical activity,"" which he described as a ""spontaneous method of irrational knowledge based on the critical and systematic objectification of delirious associations and interpretations."" The Surrealists repudiated Dali for various reasons, such as his interest in Nazism and his tendency towards self-glorification. ""Dali insinuated himself into the Surrealist movement in 1929,"" according to their leader,,André Breton, and . . he proceeded thereafter by a series of borrowings and juxtapositions."" Nevertheless Dali's work epitomizes the mixture of dream-state and reality that characterizes the Surrealist movement."