Garden of the Gods

Name/Title

Garden of the Gods

Entry/Object ID

1993.19.31

Type of Print

Lithograph

Artwork Details

Medium

Paper, ink

Acquisition

Accession

1993.19

Source or Donor

William A. McGill

Acquisition Method

Gift

Credit Line

Gift of William A. McGill

Made/Created

Artist

Robert Backston

Date made

1968

Inscription/Signature/Marks

Type

Inscription

Location

lower left

Transcription

Garden of the Gods ed. 100

Material/Technique

Pen, Written

Type

Signature

Location

lower right

Transcription

Backston '68

Material/Technique

Pencil, Written

Lexicon

Nomenclature 4.0

Nomenclature Tertiary Object Term

Lithograph

Nomenclature Secondary Object Term

Print, Planographic

Nomenclature Primary Object Term

Print

Nomenclature Sub-Class

Graphic Documents

Nomenclature Class

Documentary Objects

Nomenclature Category

Category 08: Communication Objects

Dimensions

Height

9 in

Width

12 in

Interpretative Labels

Label Type

Cultural/Historical Context

Label

"Robert Backston graduated from Baldwin-Wallace College, located in Berea, Ohio, in 1959. Backston received his M.A. from Kent State University and then worked for the Parma City School District in Ohio from 1959-97 as an art teacher. As an artist, he was influenced by former Purdue professor William McGill, watercolorist Frank N. Wilcox, and painter Elmer Ladislaw Novotny. The actual Garden of the actual Gods is located in Colorado Springs, Colorado, and is a subject represented by many artists and for good reason. It is considered an ecotone or environment where many ecosystems blend together, which makes the garden so interesting. Many different plants and animals that normally would not appear together all converge at this point. Backston’s Garden of the Gods wonderfully represents the lush landscape forming the garden. The image shows five tall rocky peaks and a broader mountain in the background. There are a few small trees and other shrubbery in front of the peaks. The artist used dark lines in the foreground and very subtle light lines in the background to indicate distance and atmospheric perspective. Backston’s varied use of line work makes for a dynamic composition, and one also sees his skillful use of negative space in the upper left part of the composition. It offers a resting point for the eye when exploring this beautiful landscape. Stylistically, this print is very typical of Robert Backston and was done in the same manner as two other works of his in this exhibition, which also resemble works by other artists of his time. For example, Robert Peters made a lithograph similar to Backston’s Garden in 1947. Adolf Dehn also produced a lithograph of the same subject with a different perspective from Backston’s in 1949. Bibliography: Kloefkorn 2005: 24-26; “Garden of the Gods.” Columbia Electronic Encyclopedia. 2010.; “Lake in the Garden of the Gods” David Rumsey Historical Map Collection | The Collection. Web. 03 Apr. 2011. <http:// www.davidrumsey.com/amica/amico1320416-47457.html>.; “Robert Peters - ‘’Garden of the Gods’’ - Lithograph.” Bid in Online Auctions - Live Auctioneers. Web accessed. Apr. 03, 2011. <http://www.liveauctioneers. com/item/2866998>.; “Garden of the Gods.” Columbia Electronic Encyclopedia. 2010.; Backston, Robert. Phone interview by Kellye Longgood, Apr. 4, 2011. Submitted by Matthew Franklin and Rachel Schwartz"