Name/Title

George II

Entry/Object ID

2021.05.05

Type of Print

Mezzotint

Artwork Details

Medium

ink, Paper

Subject

George II, King of England

Acquisition

Accession

2021.05

Source or Donor

Art Museum of Greater Lafayette

Acquisition Method

Gift

Source (if not Accessioned)

Art Museum of Greater Lafayette

Made/Created

Artist Information

Artist

Richard Houston

Role

Print Maker

Artist

Thomas Worlidge

Attribution

After a painting by

Role

Painter

Date made

circa 1753 - circa 1775

Lexicon

Nomenclature 4.0

Nomenclature Primary Object Term

Print

Nomenclature Sub-Class

Graphic Documents

Nomenclature Class

Documentary Objects

Nomenclature Category

Category 08: Communication Objects

Dimensions

Height

17-1/4 in

Width

12-3/4 in

Color

Black, White

Provenance

Provenance Detail

Source Notes

Role

Information provided by source.

Notes

Acquired by the Art Museum of Greater Lafayette in 1979 {1}; donated to Purdue University Galleries in 2021 {1} based on accession number

Copyright

Type of License

None

Copyright Holder

Purdue University Galleries

Restrictions

In the public domain.

Interpretative Labels

Label Type

Exhibition label

Label

Richard Houston (ca. 1721-1775), Irish after Thomas Worlidge (1700-1766), British George II, ca. 1753-1775 Ink on paper mezzotint 2021.05.05 Neither Queen Mary nor Queen Anne had living heirs, so the crown of England was offered to George II’s father, creating the Hanoverian line that rules England today. Images of monarchs in profile stretch all the way back to the ancient world. The practice was adopted during the Renaissance and then again in the 18th century. Later rulers used this trope to link to the powerful empires of the past. This is even more evident in the 1746 half-crown coin of George II. George was famous for his large nose and bulging blue eyes, evident in this image. The artist has also meticulously recorded the delicate lace, soft velvet, and rich embroidery of his clothes.