Divergence, Convergence and Apparel

Name/Title

Divergence, Convergence and Apparel

Entry/Object ID

2009.03.009

Type of Print

Lithograph

Artwork Details

Medium

Paper

Acquisition

Accession

2009.03

Source or Donor

May Hariri Aboutaam

Acquisition Method

Gift

Credit Line

Gift of Mary Hariri Aboutaam

Made/Created

Artist

Matthew J. Egan

Date made

2008

Lexicon

Nomenclature 4.0

Nomenclature Tertiary Object Term

Lithograph

Nomenclature Secondary Object Term

Print, Planographic

Nomenclature Primary Object Term

Print

Nomenclature Sub-Class

Graphic Documents

Nomenclature Class

Documentary Objects

Nomenclature Category

Category 08: Communication Objects

Dimensions

Height

17 in

Width

12-1/2 in

Exhibition

Re-interpreting the Middle East II: Artists Re-thinking Today's Terminology (2009)

Interpretative Labels

Label Type

Cultural/Historical Context

Label

MATTHEW J. EGAN was born in Canada, and recently taught printmaking for several years in the United Arab Emirates where he was an Assistant Professor of Foundations and Design at American University of Sharjah, This fall he has started a tenure-track position at East Carolina University, Greenville, North Carolina, USA. He earned a M.F.A. in Printmaking and Drawing from the University of South Dakota and a B.F.A in Printmaking and Multi Media from the University of Windsor. One of his main areas of interest and research is forging opportunities and links between Eastern and Western image-making traditions and practices through an attempt to identify with cultural and social issues relating to both individual nations and the wider narratives of the eastern and western hemispheres. Recent projects that support his notion of eastern and western relationships include participating in the “Re-Interpreting the Middle East” portfolio exhibited at the Corcoran School of Art and sitting on the accompanying panel at Southern Graphics this year. “The Fertile Crescent Portfolio” was an initial attempt to bring Arab printmakers together, and has been shown in the U.S.A, the U.A.E, Lebanon and Pakistan. He is deeply committed to fostering exchanges between artists through print exchanges, initiating a visiting artist program at the American University of Sharjah, and conducting visiting artist workshops himself, most recently at the Emirates Cultural Center, Vanderbilt University and the University of South Dakota. In his most recent solo exhibitions, “Implication of Representational Forms” demonstrated large scale prints and dimensional paper casts exemplifying Arab icons within a western image composition, and recent prints exhibited at Frogman’s Gallery introduced the first of a series of four color lithographic narrative book pages.