...King...Where are Your People Now...?

Name/Title

...King...Where are Your People Now...?

Entry/Object ID

2009.02.021

Description

This multicolor woodcut used black and red on tan paper to create this pattern between the background and piece in the middle. The back red is made up of red squares from carved lines out of wood. The middle uses a scratching pattern to emulate texture in that bottle or bottle looking figure.

Type of Print

Relief, Woodcut

Artwork Details

Medium

Paper

Acquisition

Accession

2009.02

Source or Donor

May Hariri Aboutaam

Acquisition Method

Gift

Credit Line

Gift of Mary Hariri Aboutaam

Made/Created

Artist

Sheyne Tuffery

Date made

2005

Lexicon

Nomenclature 4.0

Nomenclature Secondary Object Term

Print, Relief

Nomenclature Primary Object Term

Print

Nomenclature Sub-Class

Graphic Documents

Nomenclature Class

Documentary Objects

Nomenclature Category

Category 08: Communication Objects

Dimensions

Height

11-3/4 in

Width

8-1/4 in

Color

Red, Black

Exhibition

Re-Interpreting the Middle East: Beyond the Historical Stereotype (2008)

Interpretative Labels

Label Type

Cultural/Historical Context

Label

"edited from a piece written by Karen Stevenson - Sheyne Tuffery is a multi-media visual artist who uses painting, printmaking, sculpture and animation to facilitate his visions of Pacific urbanisation. He has been a practising artist for 10 years, continues to exhibit in the main centres of New Zealand and is regularly involved in overseas exhibitions. Sheyne brings the past and the future together in his work. As a child he remembers drawing comic book characters. Utilising his imagination, they addressed the cultural nuances that pervaded his life. The flatness of the comic character and the spaces they inhabited offered a means to “harness both the realities and fantasies” of Pacific youth. Today Sheyne sees himself as a “paper architect”, building futuristic spaces while creating monuments reflective of the past. In particular, Tuffery uses the fale (house) and va’a (canoe) structures in his new world. These icons of the past are redesigned for the future reflecting the shift in technology in the 21st century. Although this may seem at odds with the past, this incorporation of new materials and technologies is something that Pacific peoples have done for the millennium. These objects of shelter and travel offer excellent models for the future as they incorporate the cultural fabric of the past. The house and the canoe were structures created by men that offered both protection and mobility to a migrating population. Within these structures people learned the cultural knowledge necessary to forge ahead, to innovate, and to dream. These structures afforded the place and space to think about the world that they inhabited. Tuffery in his latest work is combining his life with that of his ancestors as well as those to come. He is creating a hybrid metropolis ‘an integration of the island and the urban’ as the future for the Pacific. Creating futuristic monuments allows a reference to a cultural heritage, reflects a current reality, and suggests an identity for the 21st century. LESA Gallery, Wellington, NZ - Sheyne Tuffery is an Wellington based multi-media visual artist: whose primary mediums are mixed media painting,moving image and printmaking. Perhaps best known for the dynamic style of his prints and woodcuts, Sheyne describes himself as a paper architect who uses his work to create and represent his own cultural context and sense of belonging.   His prints and paintings often envisage Polynesia as a futuristic urban utopia; with the Samoan fale as the symbolic archetype for skyscrapers, apartment housing and rocket ships (vaka). These works reflect Sheyne’s research into his Samoan heritage and symbolism, his travel wanderlust and his taste for big overseas cities. They also reveal ongoing influences, the world of fantasy, comics, and cartoons, which add a sense of immediacy and humour to his subject matter.  In 2005 Tuffery lived on the shores of the Manukau harbour where he became aware of Manukau's bird population and local bird lore. He became fascinated by New Zealand's geological history as a singular landmass (a vaka), and natural sanctuary for a vast array of bird species, including the extinct one's like the giant penguin. Tuffery draws on his own associations to Samoa (meaning 'sacred bird') and to cars (especially the 'extinct' ones) as symbols of urban - migration vaka."States.