Woman Bathing

Name/Title

Woman Bathing

Entry/Object ID

1995.12.03

Description

A woman is bathing in a body of water. She is only visible from the shoulders up. Her hair is pulled up into a bun. Two branches are shown on either side of her above the water, slightly dipping into the water

Type of Painting

Panel

Acquisition

Accession

1995.12

Source or Donor

Edward Stowe Akeley

Credit Line

Courtesy of Edward Stowe Akeley

Source (if not Accessioned)

Edward Stowe Akeley

Made/Created

Artist

Guillermo Meza

Lexicon

Nomenclature 4.0

Nomenclature Primary Object Term

Painting

Nomenclature Class

Art

Nomenclature Category

Category 08: Communication Objects

Dimensions

Height

19-3/8 in

Width

16-1/2 in

Exhibition

Arte para el pueblo: Reclaiming Our Identity in Post-Revolutionary Mexico (2020)

Interpretative Labels

Label Type

Cultural/Historical Context

Label

Guillermo Meza studied at the Escuela Nocturna de Arte para Trabajadores No. 1 (Night School of Art for Workers No. 1), but did not find great success until he approached Diego Rivera for an apprenticeship. Rather than take Meza on as an apprentice, Rivera was so impressed with his work that he set Meza up with the prestigious Galeria de Arte Mexicano for his first solo exhibition. The gallery continued to represent Meza, and his work as shwon in several internationally-renowned museums and galleries. Meza was not part of the early muralist movement due to his age, but later associated with and learned from many of the artists of the 1920s-30s. Though he began his career with drawing, he later incorporated gouache painting in his work, often times focusing on myth and religion in a blend of European and indigenous thought. Guillermo Meza estudio en la Escuela Nocturna de Arte Para Trabajadores No. 1, pero no tuvo mucho éxito hasta que se aceró a Diego Rivera para una mentoría. En lugar de tomar a Meza como su aprendiz, Rivera quedo tan impresionado con su trabajo que puso a mesa en contacto con la prestigiosa Galería de Arte Mexicano para su primera exposición individual. La galería continuó representando a Meza y su trabajo se mostró en varias galería de renombre internacional. Meza no formó parte del movimiento muralista temprano debido a su edad, pero más tarde se asoció y aprendió de muchos de los artistas de las décadas de 1920 y 1930. Aunque comenzó su carrera con el dibujo, más tarde incorporó la pintura gouache en su trabajo, usualmente centrándose en el mito y la religión en una mezcla de pensamiento equipo e indígena.