Hommage à Lincoln [fraudulent Dali]

Name/Title

Hommage à Lincoln [fraudulent Dali]

Entry/Object ID

1982.02.02

Type of Print

Lithograph

Artwork Details

Medium

Paper, ink

Acquisition

Accession

1982.02

Source or Donor

Warren Wright

Acquisition Method

Gift

Credit Line

Gift of Mr. and Mrs. Warren Wright

Made/Created

Artist Information

Artist

Salvador Dalí

Attribution

Copy after

Role

Artist

Date made

circa 1974

Inscription/Signature/Marks

Type

Print number and run

Location

lower left below plate

Transcription

E.A.

Language

French

Translation

"epreuve d'artiste" -Artist proof, only 10% of a print run is expected to be artist proofs

Material/Technique

Written, Pencil

Type

Signature

Location

lower right below plate

Transcription

Dali [mostly illegible]

Material/Technique

Written, Pencil

Lexicon

Nomenclature 4.0

Nomenclature Tertiary Object Term

Lithograph

Nomenclature Secondary Object Term

Print, Planographic

Nomenclature Primary Object Term

Print

Nomenclature Sub-Class

Graphic Documents

Nomenclature Class

Documentary Objects

Nomenclature Category

Category 08: Communication Objects

Exhibition

Pao Student Windows (2023)

Interpretative Labels

Label Type

Artist Commentary

Label

" ""The difference between a madman and me,"" Dali is often quoted as saying, ""is that l am not mad."" Indeed he was not, for largely through his own skillful self-promotion, Dali remains one of the most familiar names in the annals of 20th century art. Best known as the most exotic and eccentric proponent of the Surrealist movement, Dali created through what he termed ""paranoic-critical activity,"" which he described as a ""spontaneous method of irrational knowledge based on the critical and systematic objectification of delirious associations and interpretations."" The Surrealists repudiated Dali for various reasons, such as his interest in Nazism and his tendency towards self-glorification. ""Dali insinuated himself into the Surrealist movement in 1929,"" according to their leader,,André Breton, and . . he proceeded thereafter by a series of borrowings and juxtapositions."" Nevertheless Dali's work epitomizes the mixture of dream-state and reality that characterizes the Surrealist movement. "