View of the City

Name/Title

View of the City

Entry/Object ID

2021.05.17

Description

The backs of two women sitting looking at a city from above.

Type of Print

Etching

Artwork Details

Medium

Paper, ink

Acquisition

Accession

2021.05

Source or Donor

Art Museum of Greater Lafayette

Acquisition Method

Gift

Source (if not Accessioned)

Art Museum of Greater Lafayette

Made/Created

Artist Information

Artist

Charles Maurin

Role

Print Maker

Date made

circa 1890

Time Period

19th Century

Place

* Untyped Place

Paris, France

Inscription/Signature/Marks

Type

Inscription

Location

lower left below image

Transcription

22/50 [?]

Material/Technique

Pencil, Written

Type

Signature

Location

lower right below image

Transcription

Maurin

Material/Technique

Pencil, Written

Lexicon

Nomenclature 4.0

Nomenclature Primary Object Term

Print

Nomenclature Sub-Class

Graphic Documents

Nomenclature Class

Documentary Objects

Nomenclature Category

Category 08: Communication Objects

Dimensions

Height

11-3/4 in

Width

16-1/2 in

Color

Black, White

Provenance

Notes

Anonymous gift to the Art Museum of Greater Lafayette {1}; donated to Purdue University Galleries in 2021 {1} 1981.11

Copyright

Type of License

None

Copyright Holder

Purdue University Galleries

Restrictions

In the public domain.

Exhibition

Legacy of Gifting: Donations from the Lafayette Art Museum (2023)

Interpretative Labels

Label Type

Exhibition label

Label

Charles Maurin (1856-1914), French View of the City, ca. 1890 Ink on paper etching 2021.05.17 This etching is by the post-impressionist Charles Maurin, an artist and teacher living in Paris in the late 19th and early 20th centuries. Like his colleagues, Maurin was interested in depicting the modern city and life (rather than biblical and mythological subjects). In this scene two women are shown sitting and contemplating a dense city below them including the extremely tall smokestack visible to the right belching out plumes of dark smoke. The women are wearing contemporary Edwardian fashion with little ornamentation or hats suggesting they are likely working class. The post-impressionists often depicted middle and working class figures rather than nobles.