The Lady's Death from Marriage a la Mode, Plate VI

Name/Title

The Lady's Death from Marriage a la Mode, Plate VI

Entry/Object ID

2001.10.05.06

Description

A sparsely furnished room. The countess sits limply in a chair, her father removes her wedding ring from her finger. Her daughter reaches for her while being pulled away by an older woman. Two men fight to her right and a third man is seen exiting the room to her left. An emaciated dog steals food from the table.

Type of Print

Engraving, Etching

Artwork Details

Medium

Paper, ink

Acquisition

Accession

2001.10

Source or Donor

William A. McGill

Acquisition Method

Gift

Credit Line

Gift of William A. McGill

Made/Created

Artist Information

Artist

William Hogarth

Role

Artist

Artist

Gérard Jean Baptiste Scotin II

Role

Engraver

Date made

1745

Time Period

18th Century

Place

City

London, England

Inscription/Signature/Marks

Type

Inscription

Location

Below image

Transcription

Invented Painted & Published by Wm. Hogarth/According to Act of Parliament April 1st 1745

Language

English

Material/Technique

Engraved, Ink

Type

Inscription

Location

Center, below image

Transcription

Marriage A-la-Mode, (Plate VI)

Language

English

Material/Technique

Engraved, Ink

Type

Inscription

Location

Lower right, below image

Transcription

Engraved by G. Scotin

Language

English

Material/Technique

Engraved, Ink

Lexicon

Nomenclature 4.0

Nomenclature Tertiary Object Term

Engraving

Nomenclature Secondary Object Term

Print, Intaglio

Nomenclature Primary Object Term

Print

Nomenclature Sub-Class

Graphic Documents

Nomenclature Class

Documentary Objects

Nomenclature Category

Category 08: Communication Objects

Dimensions

Dimension Description

24 x 26

Height

14-1/2 in

Width

17-1/2 in

Provenance

Provenance Detail

Source Notes

Role

Information provided by source.

Notes

William McGill, West Lafayette, Indiana; donated to Purdue University Galleries in 2001

Interpretative Labels

Label Type

Cultural/Historical Context

Label

"Marriage à la Mode, Plate 6 William Hogarth, English, 1697-1764 Engraving Gift of Prof. William A. McGill, 2001.10.05.06 “Her husband killed and her lover hanged, the Countess, returned to her father's house, is driven to suicide by the tragic consequences of the foolish and ill-fated venture perpetrated on her. Plainly dressed, she expires on a chair as an ineffectual physician scurries away. On the floor lies a bottle of Laudanum; next to it the precipitating cause of her suicide, Counseller Silvertongue last Dying Speech. As her impassive, mercenary father dispassionately removes the ring from her finger, a withered old nurse holds her daughter for a dying kiss. The crippled girl has inherited both her father's venereal disease and his beauty spot; since the young Earl has no male child, his family line has ended. The apothecary, who has a stomach pump and a julep bottle in his pocket, points to the empty laudanum bottle, and berates the servant who looks at it uncomprehendingly. The fellow, who wears his master's ill-fitting coat buttoned askew, is an idiot hired cheaply by the alderman. The house reflects the alderman's miserly life style, which has supported his costly and tragic manipulation of his daughter's life. A dark apartment with bare floors and cobwebbed window with broken panes, is located near London Bridge, which at that time had houses built across it. On the wall hangs the alderman' robe, a clock with its figures reversed (it should be 1:56 P.M.) and an Almanack. Three Dutch paintings (really satires of Dutch realism) decorate the walls; the first (unframed) depicts a man urinating; the second is a still-life crowded with ‘low’ objects (an arbitrary collection of kitchen utensils, jugs and food); the third shows a drunkard lighting his pipe from the swollen nose of a companion. In the alderman's cabinet stands a single liquor bottle, some pipes and a library of five books; four are financial records: the Day Boo, Ledge, Rent Book and Compound Interest. The hall is lined with fire buckets. From the meager fare on the table, a skeleton-like dog steals a lean pig's head.” From Sean Shesgreen, Engravings by Hogarth"