Compromise

Name/Title

Compromise

Entry/Object ID

2018.01.02

Description

A large photo print with an African woman in the middle dressed in bright colors juxtaposed with a striking black and white bold background. This piece is kept in a thin wooden frame.

Photograph Details

Subject

Figure in the center of the piece draped in a pink cloth, with blue and white geometrical face makeup on. The figure is holding their blue painted palm to hold a dove. She is against a black and white striped solid background.

Acquisition

Accession

2018.01

Source or Donor

Florence E. Lonsford Endowment

Credit Line

Lonsford Collection

Made/Created

Artist

Aida Muluneh

Date made

2017

Time Period

21st Century

Ethnography

Cultural Region

Country

Ethiopia, Africa

Continent

Africa

Notes

She was born in Ethiopia and her art is influenced on being an African woman

Edition

Edition

Memory of Hope (Compromise)

Edition Size

7

Edition Number

1

Lexicon

Nomenclature 4.0

Nomenclature Secondary Object Term

Print, Photographic

Nomenclature Primary Object Term

Photograph

Nomenclature Sub-Class

Graphic Documents

Nomenclature Class

Documentary Objects

Nomenclature Category

Category 08: Communication Objects

Other Names and Numbers

Notes

Risk Management list 2025.

Dimensions

Dimension Description

32 7/8 x 32 1/5

Height

32-3/4 in

Width

32-1/2 in

Parts

Photoprint and frame

Colors

Color

Pink, Blue, White, Black

Color Notes

Bright colors

Provenance

Notes

Artist; [Jenkins Johnson Galley] San Francisco, CA; purchased through the Lonsford Fund in 2018

Exhibition

She Contains Multitudes (2020)

Interpretative Labels

Label Type

Cultural/Historical Context

Label

Compromise Aïda Muluneh Photograph, 2017 The work of Ethiopian photographer Aïda Muluneh sits at a crossroads between traditional and modern sensibilities. She approaches each photograph as though it were a film production, casting characters and designing, lighting, and styling sets that come together to create colorful, eye-catching afro-futurist compositions. Muluneh takes inspiration from traditional forms of adornment and body painting from across Africa, as well as documentary photographs of Ethiopia from the nineteenth and twentieth centuries. She uses her works as a visual diary, expressing her inner feelings and exploring the dualities of sorrow and joy, pain and beauty. Both of Muluneh’s works included in this exhibition come from her Memory of Hope series which explores the realities of living in America through the lenses of gender and race. “As we age, hope at times becomes illusive while in our youth it was a distant mirage in the desert of optimism. Like the longing for a lover’s kiss, we used to embrace hope with excitement and fervor for what was right and what was wrong in this world. Now we stand at the shores of the future, see- ing in the distance the memory of hope.”