La Guerre (War)

Name/Title

La Guerre (War)

Entry/Object ID

1974.07

Description

lithograph in colors on Rives BFK paper

Type of Print

Lithograph

Artwork Details

Medium

ink, Paper

Subject

War scene with green tanks firing on each other and a stylized American flag in the background

Made/Created

Artist Information

Artist

Roberto Matta

Role

Lithographer

Manufacturer

Editions Empreinte

Date made

1970

Time Period

20th Century

Place

* Untyped Place

Paris, France

Edition

Edition

La Guerre

Edition Size

150 and 15 EA

Edition Number

EA

Notes

EA's are noted with Roman numerals per the catalogue raisonne but cannot find marking on ours

Inscription/Signature/Marks

Type

Inscription, Print number and run

Location

lower left below image

Transcription

E.A.

Language

French

Translation

epreuve d'artiste

Material/Technique

Pencil, Written

Type

Monogram

Location

lower right below image

Transcription

M

Material/Technique

Pencil, Written

Notes

Stylized M surrounded by u shaped marks

Lexicon

Nomenclature 4.0

Nomenclature Tertiary Object Term

Lithograph

Nomenclature Secondary Object Term

Print, Planographic

Nomenclature Primary Object Term

Print

Nomenclature Sub-Class

Graphic Documents

Nomenclature Class

Documentary Objects

Nomenclature Category

Category 08: Communication Objects

Dimensions

Height

20 in

Width

25-1/2 in

Interpretative Labels

Label Type

Cultural/Historical Context

Label

Matta trained as an architect before moving to Paris in the 1930’s. There he became fascinated by the Surrealists and their quest to find a new direction in painting. He worked with Le Corbusier for two years before abandoning his work as an architect to devote himself full time to drawing and painting. During this time Matta met Picasso, Dali, Tanguy and others and as early as 1936 Matta explored Surrealist themes. One technique employed by the surrealists was automatism, the automatic drawing that is achieved by the unconscious movement of the artist’s hand working faster than the mind can think. The growth of automatism and Matta’s arrival in New York in 1939, at the outbreak of World War ll, helped influence the development of Abstract Expressionism in the United States. Matta’s colleagues in New York were Robert Motherwell, Jackson Pollock, Arshile Gorky, Marc Chagall and Andre Breton. The artist returned to live in Paris until his death in 2002.

Label Type

Cultural/Historical Context

Label

Matta came to New York in 1939 where he made his first prints. He was the youngest member of the Surrealist's Group during WWII in New York. "His method of making soft-ground color etchings resulted in some of the most vibrant surrealist prints" (Castleman, p.84)