Saints Boris and Gleb

Name/Title

Saints Boris and Gleb

Entry/Object ID

2005.02.092

Description

Painting on wood panel with red and teal border. The central image shows two men on black and sandstone colored horses in rocky terrain. The first man (the elder Boris) has a short beard, long hair, and wears a red cloak over his gold mail shirt. His younger brother Gleb wears a green cloak. In the bottom left corner, a red monster eats a young man wearing a green tunic and red cape. In the upper right corner, Christ kneels in a could ring with his Greek symbols and a halo. A Church Slavonic caption sits in the bottom center, and the artist's name and the year are inscribed on the bottom right corner

Type of Painting

Panel

Collection

Betsy Scheuring Icon Collection

Acquisition

Accession

2005.02

Source or Donor

Betsy Scheuring

Acquisition Method

Gift

Credit Line

Gift of Betsy Scheuring

Made/Created

Artist

A. Savenkov

Date made

1995

Place

City

St. Petersburg

Country

Russia

Inscription/Signature/Marks

Type

Inscription

Location

Lower right corner of icon

Transcription

Цеполнна А. Савенкав Санкм Тіемербург

Language

Cyrillic alphabet, Russian

Type

Inscription

Location

Bottom center of icon

Transcription

СборисъиглЕбъ

Language

Church Slavonic

Lexicon

Nomenclature 4.0

Nomenclature Secondary Object Term

Icon

Nomenclature Primary Object Term

Symbol, Religious

Nomenclature Sub-Class

Religious Objects

Nomenclature Class

Ceremonial Objects

Nomenclature Category

Category 08: Communication Objects

Dimensions

Height

4-1/2 in

Width

3-5/8 in

Exhibition

Spirit Made Tangible: The Scheuring Icon Collection (2006)

Interpretative Labels

Label Type

Cultural/Historical Context

Label

"Saint Boris and Saint Gleb were among the first official Russian saints, canonized in 1071. They were princes and sons of Vladimir, the ruler of Kievan Russia who adopted Orthodox Christianity for himself and for the region in 988. Both were devout individuals, murdered by their half-brother Svyatopolk, who wanted the kingdom for himself. Russian people regarded the princely martyrs as their protectors and intercessors, and there are many stories of miraculous healing and military victories attributed to their help. Th ey symbolize brotherly love and devotion. Here they are shown on horseback, dressed in gold parade armor and helmets and carrying lances with pennants fl ying. Boris has a short beard and the younger Gleb is beardless. Christ blesses them from the clouds in the upper right. The elegant horses are drawn with an emphasis on decorative lines. In the same way, the rendering of the mountainous landscape is fanciful, in the style of Byzantine manuscripts. In the lower left, a fi gure (evidently Svyatopolk, nicknamed “the cursed” ) falls into the jaws of a monster in the bowels of the earth, the hell mouth. This element is something new in the representation of the two princes, usually shown on horseback alone in a landscape. The artist of this painting worked at the monastery of the Holy Trinity in St. Petersburg and was an iconographic innovator."