Rake’s Progress, Plate VII

Name/Title

Rake’s Progress, Plate VII

Entry/Object ID

2001.10.04.07

Type of Print

Engraving

Artwork Details

Medium

Paper

Acquisition

Accession

2001.10

Source or Donor

William A. McGill

Acquisition Method

Gift

Credit Line

Gift of William A. McGill

Made/Created

Artist

William Hogarth

Date made

1735

Lexicon

Nomenclature 4.0

Nomenclature Tertiary Object Term

Engraving

Nomenclature Secondary Object Term

Print, Intaglio

Nomenclature Primary Object Term

Print

Nomenclature Sub-Class

Graphic Documents

Nomenclature Class

Documentary Objects

Nomenclature Category

Category 08: Communication Objects

Dimensions

Dimension Description

24 x 26

Height

13 in

Width

15-1/4 in

Interpretative Labels

Label Type

Cultural/Historical Context

Label

"A Rake's Progress, Plate 7 William Hogarth, English, 1697-1764 Engraving Gift of Prof. William A. McGill, 2001.10.04.07 “The promise of Plate IV is here fulfilled and the rake, like the harlot before him, is jailed (for debt). The scene is the crude stone interior of the Fleet, a debtors' prison. The rake, slumped listlessly forward, his face filled with despair and anomie, besieged on all sides, gestures helplessly with his hands and feet. His last desperate attempt to earn money by writing a play has failed; beside him lies a curt rejection, Sr. I have read your Play & find it will not doe yrs. J.R. . h. The misspelled ‘doe’ seems to be a hit at the theater manager and pantomimist John Rich. Rakewell is now so destitute that he cannot give the turnkey the ‘garnish money’ or pay the perturbed youth for a mug of beer. While his shrewish wife assaults him, Sarah Young faints in compassion at his plight. A companion shoves her head toward a bottle of smelling salts; another slaps her hand, while her daughter seems to rebuke the mother for her conduct. The rake's two cellmates forecast his impending fate; both are, to some degree, mad. The unkempt fellow with the ragged wig and heavy beard who supports Sarah is a projector; though he cannot pay his own debts he has just invented a Scheme for paying ye Debts of ye Nation. The fellow in the corner with the nightcap (who has been there a long time if we are to judge by his elaborate still and chimney) is a mad alchemist. He is too absorbed in his furnace project (probably attempting to turn metal into gold) to notice what transpires around him. His telescope sticks out through the prison bars; three mixing pots stand beside his meager library; a paper inscribed Philosophical protrudes from one volume. Above his canopy rests a pair of wings. Like the rake, his plans to soar beyond his natural realm have brought him only imprisonment and insanity.” From Sean Shesgreen, Engravings by Hogarth Alternate label: Prison Scene
Plate 7: The scene takes place in the interior of
the Fleet, a debtor's prison. The Rake sits
dumbfounded to the right. The letter beside him
tells us that his attempt to earn money by writing a
play has been rejected by the publisher. His one-
eyed wife threatens him while a boy with a glass of
beer and a turnkey wait impatiently for the money
that is owed them. To the left Sarah Young has fainted at the sight
of the ruined Tom Rakewell. Two women try to
revive her with salts while her now considerably
older daughter scolds her to leave this deplorable
place. Rakewell's two roommates foretell his own
final fate. To the extreme left, a disheveled, heavily
bearded man has concocted a ""Scheme for paying
ye Debts of ye Nation"", but cannot pay his own. In
the background to the right, an alchemist, complete
with his nightcap and instruments, is probably
working on a way to turn base metal into gold.
Both are thoroughly mad."