Valley of the Tetons

Name/Title

Valley of the Tetons

Entry/Object ID

1993.19.33

Type of Print

Lithograph

Artwork Details

Medium

Paper, ink

Acquisition

Accession

1993.19

Source or Donor

William A. McGill

Acquisition Method

Gift

Credit Line

Gift of William A. McGill

Made/Created

Artist

Robert Backston

Date made

1968

Inscription/Signature/Marks

Type

Inscription

Location

lower left

Transcription

Vallery of the Tetons Ed. 100

Material/Technique

Pencil, Written

Type

Signature

Location

lower right

Transcription

Backston '68

Material/Technique

Pencil, Written

Lexicon

Nomenclature 4.0

Nomenclature Tertiary Object Term

Lithograph

Nomenclature Secondary Object Term

Print, Planographic

Nomenclature Primary Object Term

Print

Nomenclature Sub-Class

Graphic Documents

Nomenclature Class

Documentary Objects

Nomenclature Category

Category 08: Communication Objects

Dimensions

Height

8-3/4 in

Width

12 in

Interpretative Labels

Label Type

Cultural/Historical Context

Label

"Robert Backston became interested in lithography while attending Baldwin-Wallace College in Ohio. After graduation, he worked for the Parma City School District in Parma, OH as an art teacher for 36 years. Backston then received his M.A. degree from Kent State University, and continued to create lithographs and other works during his career and after retirement as well. When interviewed, Backston said, “It’s a fabulous life. I wouldn’t trade it for the world.” This print represents the Valley of the Teton Mountains in the Grand Teton National Park. While the park spreads into Wyoming, most of the Valley lies in Idaho. The National Park was created in 1929 and then later expanded in 1950 to its present size. The picture appears to show snow-capped mountains, meaning it represents the season between November and April. The lithograph depicts a few buildings in front of one giant mountain peak. A curved road in the lower right leads the eye toward a house, as well as a barn and other small structures. A row of darkened trees forms a natural transition between the buildings and the base of the mountain. Sparse landscaping fills the rest of the area in front of the house. The mountain dominates the view in sheer size, dwarfing the house. The lower part of the mountain is a cliff face. Snow apparently can be seen on the peak. The print is quite realistic and also displays some impressionistic tendencies. The features are rendered true to form. Both linear and atmospheric perspectives are employed in order to give a sense of depth and grandeur to the view. The scale of the subjects is true to life, making it easy to understand the mountain’s actual size. The trees have an impressionistic appearance from the quick, wispy lines used to create the foliage and trunks. This print is similar in style to two other prints by Robert Backston made around the same time in Purdue’s collections: Garden of the Gods and Glistening Hides. One can see the same mixture of realism and impressionism in the other two lithographs. Bibliography: “Grand Teton.” National Park Service. Web Accessed Apr. 4, 2011. Last modified Mar. 28, 2011. http://www.nps.gov/grte/index.htm.; Backston, Robert. Phone interview with Kellye Longgood, Apr. 4, 2011. Submitted by Kellye Longgood and Lindsey Zachman"